“反抗绝望”的生命哲学——大江健三郎《形见之歌》与鲁迅《希望》比较研究

发布时间：2018-04-10 18:18

本文选题：国民性 + 反抗绝望　；参考：《西北大学学报(哲学社会科学版)》2016年03期

【摘要】：在"暗夜"中探寻光明是大江从鲁迅文学中继承下来的精髓所在。通过对大江《形见之歌》与鲁迅《希望》的比较研究发现,直面"希望"与"绝望"的现实问题,二者都是通过叙事者"我"在思想上的认知转变,关注民族的过去与未来,国家的独立与复兴。但在表现形式上又存在着明显不同:直面"黑暗",鲁迅是始终凝视"黑暗",将其内化为"希望",但其底色仍然为"黑暗";而大江是在凝视"黑暗"的过程中,将其外化为象征"希望"的"星星"或者"新人",在"暗黑"中窥视"星星之火"。鲁迅主张"毁坏这铁屋子的希望",是"改造"主义;大江则力主"宽容"异端下的"希望",是"改良"主义。因此,如果说鲁迅是改造国民性的启蒙家,大江则是改良国民性的启蒙家。
[Abstract]:Searching for light in Dark Night is the quintessence of the great river inherited from Lu Xun's literature.Through the comparative study of "Song of form" and Lu Xun "Hope", it is found that to face the realistic problems of "hope" and "despair" directly, both of them are concerned about the past and future of the nation through the cognitive transformation of the narrator's "I" in thought.The independence and rejuvenation of the country.But there are obvious differences in the form of expression: facing "darkness" directly, Lu Xun is always staring at "darkness", internalizing it as "hope", but its background color is still "dark", while the big river is staring at "darkness".Externalize it as a star of hope or a new man, peeking at the spark in the dark.Lu Xun advocates that "the hope of destroying this iron house" is "remoulding" doctrine, while Dajiang advocates "tolerant" heretical "hope" and "reform" doctrine.Therefore, if Lu Xun is the enlightenment to reform the national character, Dajiang is the enlightenment to improve the national character.
【作者单位】：西安交通大学外国语学院;
【基金】：教育部人文社科基金项目(15YJA752003) 陕西省社科项目(2014I24)
【分类号】：I106-03

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