马华作家戴小华和朵拉的中华文化认同合论

发布时间：2018-04-20 00:30

本文选题：戴小华 + 朵拉　；参考：《江苏师范大学》2017年硕士论文

【摘要】：戴小华和朵拉是著名的马华女作家,她们的创作不仅在马来西亚本国华族间流传,而且在中国大陆、台湾乃至世界各地都产生了一定影响。她们书写了现代马来西亚人的生活和精神存在方式,在传统文化认同中缓解了身处多民族国家中的身份危机和边缘焦虑。传统文化给予她们美感体验和精神力量,贯穿了她们创作的始终。本论文即讨论戴小华和朵拉这两位作家的中华文化认同,以她们的散文和小说为主要研究对象,探寻其作品中的中华文化意蕴,以及马来西亚华族如何在文化认同中确认自我的存在价值,缓解身处多民族国家的生存困境。第一章,探讨戴小华和朵拉的文化自觉。主要从以下两个方面展开论述:第一,结合马来西亚华人的移民史和华文教育发展史,论述马华文学产生和发展的背景;戴小华和朵拉选择华语创作是一种文化自觉,即出于对本民族认同和情感宣泄的需要。第二,面对现实的困境,她们承继了中华文化中天人合一的智慧,在自然中得到精神自由;戴小华和朵拉同时提倡女性的自我修养,通过提升自我的精神境界来面对多民族国家的挑战。第二章,通过对戴小华和朵拉作品中有关血缘和民俗部分的梳理,探讨传统文化因素如何体现在马来西亚华族的家庭以及节庆生活中。本章分为两个部分:第一,戴小华和朵拉的作品中体现了血缘维系的马来西亚华族家庭和亲族关系,认同传统文化强调的血缘羁绊巩固了华族在多民族国家中的地位。第二,戴小华和朵拉作品中展现了中国传统的节庆风俗以及宗教信仰。带有中华文化特征的风俗和宗教成为华族区别于马来西亚其他民族的最为显著的特征。第三章,探讨戴小华和朵拉的家国认同。身处夹缝位置,她们对何处是家园展开了追问。本章分为两个部分:第一,戴小华和朵拉身处马来西亚,现实的不如意让她们构建了想象的原乡。想象的原乡更多的是指文化的原乡,文化有明确的来源,精神有所依归,缓解了所在地华族精神的痛苦;戴小华和朵拉的作品中同时书写了当真正回到原乡,原乡古典不再,想象原乡走向破灭和重构的全过程。第二,华人有着自强不息、随遇而安的品质,在马来西亚长期奋斗,扎根于在地,认可所在国为母国,戴小华和朵拉热爱自己的母国并产生了多元共生的家国认同意识。第四章,讨论在中华文化浸润下,戴小华和朵拉在关注社会中实现自己的道德选择。主要从两个方面论述:第一,戴小华和朵拉的创作中体现了儒家文化的“仁爱”的原则,既关爱弱势群体,又有着对全人类的大爱。第二,戴小华和朵拉自觉维护整体利益,既关注本民族的历史和生存现状,又对所在国的发展和多民族的和谐共居承担起责任。认同中华文化,切实地帮助戴小华和朵拉投身于多民族社会,承担社会责任,实现自我人生价值。
[Abstract]:Dai Xiaohua and Dora are famous female writers of Mahua. Their works not only spread among the native Chinese in Malaysia, but also in mainland China, Taiwan and other parts of the world. They wrote about the way of life and spiritual existence of modern Malaysians and alleviated the identity crisis and marginal anxiety in the multi-ethnic countries in the traditional cultural identity. Traditional culture gives them aesthetic experience and spiritual strength, which runs through their creation. This thesis discusses the Chinese cultural identity of Dai Xiaohua and Dora, and explores the meaning of Chinese culture in their works, taking their prose and novels as the main objects of study. And how Chinese in Malaysia confirm the existence value of self in their cultural identity, and alleviate the plight of being in a multinational country. The first chapter discusses the cultural consciousness of Dai Xiaohua and Dora. This paper mainly discusses the following two aspects: first, combining the history of Malaysian Chinese immigrants and the history of Chinese education, it discusses the background of the emergence and development of Malaysia's Chinese literature; Dai Xiaohua and Dora's choice of Chinese writing is a kind of cultural consciousness. That is, out of the national identity and emotional catharsis needs. Second, facing the dilemma of reality, they inherited the wisdom of the unity of nature and man in Chinese culture and gained spiritual freedom in nature; Dai Xiaohua and Dora also advocated the self-cultivation of women. To face the challenges of a multi-national country by raising the spiritual state of self. The second chapter discusses how traditional cultural factors are embodied in the Chinese family and festival life in Malaysia by combing the related blood and folklore parts of Dai Xiaohua and Dora's works. This chapter is divided into two parts: first, the works of Dai Xiaohua and Dora embody the family and kinship of Chinese nationality in Malaysia. Second, Dai Xiaohua and Dora's works show Chinese traditional festival customs and religious beliefs. Customs and religions with Chinese cultural characteristics have become the most salient features of Chinese and other ethnic groups in Malaysia. Chapter three discusses Dai Xiaohua and Dora's family and country identity. In the gap position, they began to ask where is the home. This chapter is divided into two parts: first, Dai Xiaohua and Dora are in Malaysia. Imagination of the original country refers more to the original country of culture, where the culture has a clear source and the spirit has a return, which alleviates the suffering of the spirit of the Chinese nationality in the locality. Dai Xiaohua and Dora's works simultaneously write that when the original country is truly returned to the original country, the original country is no longer classical. Imagine the whole process of the original country's collapse and reconstruction. Second, the Chinese have the quality of self-improvement and ease of life. They have long struggled in Malaysia, have taken root in the country and recognized the host country as their home country. Dai Xiaohua and Dora love their home country and have a sense of multi-symbiotic home country identity. Chapter four discusses how Dai Xiaohua and Dora realize their moral choice in the society of concern under the infiltration of Chinese culture. First, the creation of Dai Xiaohua and Dora embodies the principle of "benevolence" of Confucian culture, which not only cares for the vulnerable groups, but also has great love for all mankind. Second, Dai Xiaohua and Dora consciously safeguard the overall interests, paying attention to the history and survival status of their own nation, and taking responsibility for the development of the host country and the harmonious co-habitation of many nationalities. Identify with Chinese culture and help Dai Xiaohua and Dora to participate in multi-national society, assume social responsibility and realize their own value in life.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I338.06

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