“遮蔽”与“浮现”——关于“70后”代际问题的思考

发布时间：2018-04-21 05:38

本文选题：代际 + 文学叙事　；参考：《创作与评论》2016年18期

【摘要】：正一上世纪九十年代末,"70后"作为一种崭新的写作身份标识开始进入文学的内部场域。1995—1997年《山花》《钟山》《大家》《作家》四家刊物开设"联网四重奏"栏目,推出了三十七位六七十年代出生作家的作品。1998年7月《作家》推出了"七十年代出生的女作家小说专号"。这种在市场经济逻辑用力下文学媒介的推介行为,表面上看似一种文学新力量新元素的加入与新变,而其深在的意义却在某种程度上完成了对八十年代文学精神的传承与接续。"70后"写作实践的渐次展开以及他们为批评领域所带来的话语新鲜感,赋予了他
[Abstract]:At the end of the 1990s, "after 70", as a brand new writing identity, began to enter the internal field of literature. From 1995 to 1997, four publications, < Zhong Shan > < everybody] and "Writers," set up a column "Networked Quartet". The works of 37 writers born in the sixties and seventies were published. In July 1998, the author published the novel number of female Writers born in the 1970s. The introduction of literary media under the force of market economy logic seems on the surface to be a new force and new element of literature. To a certain extent, its profound significance has completed the inheritance and succession of the literary spirit of the eighties. The gradual development of the writing practice of the "post-70s" and the freshness of the discourse they brought to the critical field have given him a sense of freshness.
【作者单位】：南京师范大学文学院;
【分类号】：I207.42

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