潜藏的“厌女症”：《奥赛罗》中女性形象的妖魔化

发布时间：2018-04-22 05:28

本文选题：《奥赛罗》 + 女性形象　；参考：《四川外国语大学》2017年硕士论文

【摘要】：西方男性作家笔下的女性形象无外乎两种:要么纯洁如天使,要么恶毒如蛇蝎。文学作品中的女性严重脱离现实。这一现象的背后,是男性作家对女性的妖魔化。男性作家囿于父权文化传统,常常在自己的文学创作中刻意塑造顺从的女性,借以达到贬抑甚或压制女性的目的。本文试图从女性主义角度出发分析戏剧《奥赛罗》中三位女性形象苔丝德梦娜,艾米莉亚以及比安卡的妖魔化,从中折射出的莎士比亚的女性观,以及由此体现出的剧作家的‘厌女症’倾向。新视角在于将《奥赛罗》中的主要女性形象系统分析的基础之上发现所有女性形象无一例外的被剧作家或者戏剧剧本中的男性形象‘妖魔化’,男性掌握语言的主导权并以此开始毁谤中伤女性的人格个性,男性视角对女性形象的呈现以及无一例外的将妻子作为个人所有。三位本性纯洁的女性在男性的呈现中成为不知廉耻的荡妇,戏剧结尾以两位女性非自然性的死亡,以及谜底的揭露展现了男性不仅奥赛罗,伊阿古卡西欧还有剧作家莎士比亚的厌女症倾向。具体论述中,本文应用女性主义批评的观点以及女性主义文学总结出的厌女症,从而展开对《奥赛罗》中女性悲剧性命运,以及男性角色共有的厌女情节的分析。本文共分为三部分:引言旨在介绍剧作家莎士比亚及其生活的社会环境,《奥赛罗》的主要情节与人物以及引以为分析视角的女性主义批评。主体部分分为三章具体分析男性对女性的言语暴力,人格侮辱以及命运的摧残。结论部分旨在分析隐藏于男性言语、行为之下的强烈的厌女症,以及由此折射出的莎士比亚的厌女情节。
[Abstract]:There are two kinds of female images written by western male writers: pure as angels or poisonous as snakes and scorpions. Women in literary works are seriously divorced from reality. Behind this phenomenon is the demonization of women by male writers. Confined to the patriarchal cultural tradition, male writers often deliberately shape submissive women in their own literary creation, in order to achieve the purpose of derogating or even suppressing women. This paper attempts to analyze the demonization of three female characters Desdemona Amelia and Bianca in Othello from the perspective of feminism which reflects Shakespeare's view of women. And the playwright's tendency to be obnoxious. The new perspective is based on the systematic analysis of the main female images in Othello and finds that all female images are 'demonized' by playwrights or male characters in drama plays without exception. Men hold the dominant power of language and begin to slander the personality of women. The male perspective presents the image of women and takes the wife as their personal ownership without exception. Three women of pure nature become shameless sluts in the male presentation, and the drama ends with the unnatural death of two women, as well as the revelation of the riddle that shows that the man is not only Othello, Iago Casio also had the tendency of Shakespeare, a playwright, to be obnoxious. In this paper, the author applies the viewpoint of feminist criticism and feminist literature to analyze the tragic fate of women in Othello, as well as the female loathing plot shared by male characters. This thesis is divided into three parts: the introduction aims to introduce the playwright Shakespeare and the social environment of his life, the main plot and characters of Othello and the feminist criticism from the perspective of analysis. The main part is divided into three chapters. The conclusion is intended to analyze the intense feminishness hidden in male speech, behavior, and Shakespeare's female-loathing plot.
【学位授予单位】：四川外国语大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I561.073

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