生态批评视角下的俄罗斯大自然儿童文学

发布时间：2018-04-24 11:53

本文选题：生态文学 + 俄罗斯大自然儿童文学　；参考：《中国海洋大学学报(社会科学版)》2016年06期

【摘要】：生态危机是生态文学产生和发展的主要动因。20世纪60年代随着生态文学、生态思潮的日益高涨,生态批评也逐渐升温。生态批评的主要目的和任务不仅在于揭示文学作品的生态思想及其根源,还应探索文学的生态审美和艺术表现。儿童文化有别于成人文化,儿童文学是注重情感与想象力的感性文学,儿童文学中以"自然"为主题的儿童文学精神价值高于成人文学。儿童文学是以审美和艺术表现为进路的生态批评的重要研究对象。具有自发性生态文学特质的大自然儿童文学是20世纪俄罗斯儿童文学最强大的支脉,也是出版量最大、最稳定的少儿读物,其代表作品比安基的《森林报》和普里什文《太阳宝库》的艺术表现充分体现了整体性、交融性的生态审美原则。
[Abstract]:Ecological crisis is the main reason for the emergence and development of ecological literature. With the development of ecological literature in the 1960s, the ecological trend of thought is rising day by day, and ecological criticism is gradually heating up. The main purpose and task of ecological criticism is not only to reveal the ecological thought and its root cause of literary works, but also to explore the ecological aesthetic and artistic expression of literature. Children's culture is different from adult culture. Children's literature is emotional and imaginative. In children's literature, the spiritual value of children's literature with the theme of "nature" is higher than that of adult literature. Children's literature is an important research object of ecological criticism based on aesthetic and artistic expression. Natural children's literature, which has the characteristics of spontaneous ecological literature, is the most powerful branch of Russian children's literature in the 20th century. It is also the largest and most stable children's reading material in the 20th century. The artistic expression of his representative works Bianchi's Forest and Pristina's Sun Treasure fully embodies the ecological aesthetic principle of integrity and blending.
【作者单位】：中国海洋大学外国语学院;
【基金】：中国海洋大学中央高校基本科研业务费专项课题(841415013)的资助
【分类号】：I512.078

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