谈戏剧人物的情致表达——读黑格尔《美学》启示之四

发布时间：2018-04-24 20:41

本文选题：《美学》 + 感性生活　；参考：《当代戏剧》2016年05期

【摘要】：正一情致,是古汉语中的一个词,惯常出现在文艺评论文字中。黑格尔在他的《美学》中,对情致有专门阐述。依黑格尔客观唯心主义哲学思想,先于人类社会而游荡于天地宇宙之间的绝对理念,在各个时代会化为各种各样的普遍力量。这种普遍力量如果用现代时尚语言来表达,约略相当于时代精神,或者一种伦理观念。在艺术创作实践中,尤其在以行动表现人物性格为特征的戏剧作品中,普遍力量须用感性生活形态
[Abstract]:As a word in ancient Chinese, it is customary to appear in literary criticism. Hegel, in his Aesthetics, has a special exposition on emotion. According to Hegel's philosophy of objective idealism, the absolute idea of wandering between heaven and earth before human society will be transformed into various universal forces in all ages. This universal power, if expressed in modern fashion language, is roughly equivalent to the spirit of the times, or an ethical concept. In the practice of artistic creation, especially in the dramatic works characterized by action to express the character of the characters, the general force must use the form of perceptual life.
【分类号】：I106.3

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