中亚东干文学中的女性形象研究

发布时间：2018-04-25 11:33

本文选题：中亚东干文学 + 女性形象　；参考：《伊犁师范学院》2017年硕士论文

【摘要】：东干族,19世纪后期因反抗清王朝,起义失败后,先后三次迁居中亚的中国西北地区的回族,现在主要聚居在吉尔吉斯斯坦、哈萨克斯坦、乌兹别克斯坦三国,从最初的1.5万人发展到目前的10万余人。1924年,苏联对民族进行识别,将中亚回族定名为“东干”。20世纪30年代,东干族创立了自己的文字,随着东干文书刊的发行,逐渐形成了独特的东干文学景观。最初,东干文学只是民间口传文学,东干文字被创立之后,随着东干作家的涌现,逐渐出现了东干书面文学。近年来,中亚东干文学受到国内外有关研究专家、学者的关注,也取得了不少研究成果。目前,我国对东干文学的小说研究、诗歌研究、民间文学研究、文学史研究、作品译介等方面均有科研成果,并且逐渐走向中亚东干文学整体性的文化研究。然而,中亚东干文学研究尚未系统关注其女性形象,对于东干文学中的女性形象的研究成果则少之又少。本论文力图从中亚东干文学中的女性形象入手,在研究中亚东干文学作品的基础上,通过运用比较文学和女性主义文学批评理论与方法,对中亚东干文学女性形象进行分类并作系统分析,旨在挖掘中亚东干文学中具有鲜明特点的女性形象的文化内涵和多元文化的影响,展示中亚东干文学中女性形象的独特性和真实性的文化内涵。本论文分为四个部分:绪论部分分别从本论文的选题及意义、理论依据、文献综述、创新之处四个方面,对中亚东干文学研究现状进行考察,论述研究中亚东干文学中女性形象的原由。第一章从中亚东干作家文学中的母亲形象、女儿形象、姑娘形象、婆婆形象、妻子形象、儿媳妇形象的分析归纳入手,研究中亚东干作家文学中的女性形象所表现的特点及其背后所隐含的东干作家的内心期望和对东干女性现实生活状态的审视。第二章从中亚东干民间故事中的后娘形象、妻子形象、媳妇形象的分析归纳入手,研究中亚东干文学中的女性形象在中亚东干族民间的平等地位和所折射出的东干女性形象的智慧和力量。第三章主要探究中亚东干文学中的女性形象的多元文化影响,分别论述中国传统文化、伊斯兰文化、哈萨克文化和俄苏文化对中亚东干文学中的女性形象的影响,对中亚东干文学中女性形象做出系统分析和深入解读。
[Abstract]:After the defeat of the uprising against the Qing Dynasty in the late 19th century, the Donggan ethnic group moved to Central Asia for three times, the Hui people in Northwest China. Now they mainly live in Kyrgyzstan, Kazakhstan, and Uzbekistan. From the initial 15000 to the present 100000. In 1924, the Soviet Union identified the nationalities and named the Central Asian Hui as "Donggan." in the 1930s, the Donggan created their own characters. With the publication of the Donggan books and periodicals, Gradually formed a unique Donggan literary landscape. At first, Donggan literature was only folk oral literature. After Donggan characters were founded, with the emergence of Donggan writers, Donggan written literature appeared gradually. In recent years, the literature of Donggan in Central Asia has been concerned by experts and scholars at home and abroad, and has also made a lot of research achievements. At present, there are some achievements in the study of Donggan literature, such as novels, poetry, folklore, history of literature, translation of works, etc., and have gradually moved towards the cultural study of the whole literature of Donggan in Central Asia. However, the research on the female image of Donggan literature in Central Asia has not been systematically concerned, and the research results on the female image in Donggan literature are very few. This thesis tries hard to start with the female images in the literature of East Asia, and on the basis of studying the literary works of Yadonggan, through the use of comparative literature and feminist literary criticism theory and method. This paper classifies and systematically analyzes the female images in the literature of the East Gan in Central Asia in order to excavate the cultural connotation and multicultural influence of the female images with distinctive characteristics in the literature of the Eastern Gan in Central Asia. To show the uniqueness and authenticity of the female image in the literature of Donggan in Central Asia. This paper is divided into four parts: the introduction part from the topic and significance of this paper, theoretical basis, literature review, innovation of four aspects, to investigate the status quo of the literature of the East Asian trunk. This paper discusses the reasons for the female image in the literature of Yadonggan. The first chapter analyzes the images of mother, daughter, girl, mother-in-law, wife and daughter-in-law in the literature of Central Yadonggan. This paper studies the characteristics of the female images in the literature of the writers of Yadonggan and their inner expectation and the examination of the real life state of the women in Donggan. The second chapter analyzes and sums up the image of stepmother, wife and wife in the folk stories of Central Yadonggan. This paper studies the equal status of the female images in the East Gan nationality of Central Asia and the wisdom and strength of the female images of the East Gan nationality. The third chapter mainly discusses the influence of Chinese traditional culture, Islamic culture, Kazakh culture and Russian and Soviet culture on the female images in the literature of the East Gan in Central Asia. This paper makes a systematic analysis and in-depth interpretation of the female images in the literature of Donggan in Central Asia.
【学位授予单位】：伊犁师范学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I106

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