“木石前盟”文化溯源的新推测与《红楼梦》中林黛玉的“眼泪”书写

发布时间：2018-04-26 22:13

本文选题：木瓜 + 红楼梦　；参考：《红楼梦学刊》2017年01期

【摘要】：《木瓜》中出现了木与石两种意象,其诗旨本为男女定情,汉唐学者赋予其报恩主题,近现代学者则还原了男女定情的原始诗旨。《木瓜》诗旨经历从定情到报恩,再到定情的演变,这与《红楼梦》中绛珠草以眼泪报偿神瑛侍者灌溉之恩的叙述势能异曲同工,黛玉眼泪也成为文本不可或缺的一部分。通过黛玉眼泪为宝玉一人而设、善写流泪背景、写实的悲剧性创作,小说文本使普通的眼泪变得珍贵起来,密集与留白的时空分布使黛玉的眼泪书写呈现疏密有间、错落有致的格局。《红楼梦》以情报恩的叙事模式,可能受到了《木瓜》诠释史的影响,但《红楼梦》又超越了一般的小说。用眼泪报恩是曹雪芹的自出心杼,让宝黛拥有爱情,却没有走向婚姻,也是曹雪芹处理以情报恩叙事时的创新之处。
[Abstract]:There are two kinds of images of wood and stone in papaya, and their poems are originally determined by men and women. Scholars in Han and Tang dynasties gave them the theme of repaying kindness, while modern and modern scholars have restored the original poetic tenor of men and women. And then to the evolution of love, which is the same as that in A Dream of Red Mansions in which Jiang Zhu Cao recompense the narration of God Ying waiter's irrigation with tears, and Dai Yu's tears also become an indispensable part of the text. Through Dai Yu's tears for Baoyu, she wrote the background of tears and realistic tragic creation, the text of the novel made ordinary tears precious, and the dense and white space and time distribution made the tears writing of Daiyu appear close and close. The narrative pattern of "A Dream of Red Mansions" may have been influenced by the interpretation history of "papaya", but "Dream of Red Mansions" transcends ordinary novels. Repaying thanks with tears is Cao Xueqin's own loom, letting Baodai have love, but not going to marriage, which is also the innovation of Cao Xueqin in dealing with the narration of returning love with information.
【作者单位】：山西师范大学戏剧与影视学院;
【基金】：山西省姚奠中国学基金教育项目(2015GX06)阶段性成果 2016年度山西省高校人文社会科学重点研究基地项目“儒学的民间呈现与山西戏曲文化研究——以山西戏曲文物为中心”(项目号2016315)阶段性成果
【分类号】：I207.411

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