对“人”的颠覆与美学自由——论德国作家博纳文图拉《守夜》中的破界

发布时间：2018-05-01 05:38

  本文选题：博纳文图拉 + 《守夜》　； 参考：《外国文学》2016年05期

【摘要】：德国作家博纳文图拉的小说《守夜》自19世纪初问世之后,不仅因其强烈的颠覆性而久遭冷遇,而且其作者之归属历经了长期的论争。在后世的研究中,这部似与其时代格格不入的小说恰因强烈的破界与反叛精神而受到关注。本文着重探讨的是,这部虽不入主流却恰好出现在这个时期的作品的特殊性体现在哪些方面,它与当时备受关注的"人"的问题、人类学讨论有怎样的关联,它在当时的人类学话语和美学话语中有何独特意义等。
[Abstract]:Since the publication of the German writer Bonaventura's novel Vigil in the early 19th century, it has not only been ignored for a long time because of its strong subversion, but also its author has been subjected to a long period of controversy. In the research of later generations, this novel, which seems to be out of step with its time, has been paid close attention to because of its strong spirit of breaking the boundary and rebellious spirit. This paper focuses on the aspects of the particularity of this work which appears in this period although it is not in the mainstream, and how it relates to the question of "human" and the anthropological discussion, which was paid close attention to at that time. What is its unique meaning in the discourse of anthropology and aesthetics at that time?
【作者单位】： 对外经济贸易大学外语学院德语系;
【基金】：对外经济贸易大学中央高校基本科研业务费专项资金资助(15QD03) 国家社科基金项目“1800年前后德语文学的美学转向研究”(14BWW063)
【分类号】：I516.074
，

本文编号：1827995