狄更斯小说中的恶魔式怪人形象研究

发布时间：2018-05-02 03:37

本文选题：恶魔式怪人 + 类型化　；参考：《陕西理工大学》2017年硕士论文

【摘要】：查尔斯·狄更斯是继莎士比亚之后最伟大的英国作家,也是最受大众欢迎的小说家。他一生创作的作品都是与他生活的时代密切相关的,阅读狄更斯的作品可以知晓英国社会的方方面面,他所有作品一起构成了一部英国社会的百科全书。从狄更斯在世时到现在,对狄更斯小说的研究从未停止过,从狄更斯传记研究开始,到狄更斯小说思想研究,再到狄更斯小说的表现手法研究等,可以发现对狄更斯的研究范围也日益呈现出多元化特点。本论文着眼于狄更斯小说全貌,重点讨论其小说中的恶魔式怪人形象。本论文共分为四章:第一章主要论述恶魔式怪人形象在狄更斯笔下的类型化特点。类型化是狄更斯式人物最大的特点,同一类型的人物,他们的面貌、性格、心理甚至行为都呈现出一定的相似性。在这一章中,着重从两方面展开论述,一是恶魔式怪人在肖像上的类型化表现,二是恶魔式怪人在心理上的类型化表现。第二章主要分析恶魔式怪人形象的身份设定和悲剧性结局,以及体现出的狄更斯的阶级立场和改良主义思想。这一章分为两节进行论述:第一节主要讨论恶魔式怪人形象的出身,他们都来自于贵族和资产阶级,凭借自己的权力为所欲为,狄更斯对他们的出身定位表明了其阶级立场;第二节主要讨论恶魔式怪人形象的悲惨结局,狄更斯的特意安排呈现出了感性色彩,同时他们的不幸下场也是狄更斯在小说中反对资本主义的一种手段,体现了狄更斯的改良主义思想。第三章重点讨论恶魔式怪人形象的创作来源。第一节从经济方面论述,狄更斯所处时代经济快速发展,带来了一系列的社会负面问题,劳资矛盾的加剧和以金钱为前提的人际关系,是产生恶魔式怪人的社会基础;第二节从社会道德方面论述,狄更斯生活的时代,形同摆设的虚伪道德观导致了人格分裂,这对恶魔式怪人的产生也有很大的影响;最后一节主要从狄更斯主观方面论述,狄更斯小说中恶魔式怪人形象的一个重要的创作来源,就是狄更斯本人怪异的性格,和对生活的深入观察,这类形象很大程度上是狄更斯对生活原型的重塑,也是狄更斯本人怪异性格的写照。第四章主要讨论恶魔式怪人形象的审美经验和审美价值。读者在看到这类形象时会产生一种审美体验,主要包括反常感、现实感和滑稽感;同时恶魔式怪人形象也激发了读者对美好事物的向往,其以丑衬美的审美价值引起了读者的情感共鸣,具有一定的社会意义。
[Abstract]:Charles Dickens is the greatest English writer after Shakespeare and the most popular novelist. All his works are closely related to the time of his life. Reading Dickens' works can know all aspects of English society. All his works together constitute an encyclopedia of English society. Since Dickens was alive until now, the study of Dickens' novels has never stopped, from the beginning of Dickens' biographical study to the study of Dickens' novel thought, to the study of Dickens' novel performance, etc. It can be found that the scope of research on Dickens is increasingly diversified. This thesis focuses on Dickens' novels and discusses the demonic characters in his novels. This thesis is divided into four chapters: chapter one mainly discusses the typological characteristics of the demonic character in Dickens' works. Typology is the greatest characteristic of Dickensian characters. The appearance, character, psychology and even behavior of the same type of characters show certain similarity. In this chapter, the author focuses on two aspects: one is the stereotypical expression of the demonic weirdo in the portrait, the other is the psychological typification of the demonic weirdo. The second chapter mainly analyzes the identity setting and tragic ending of the demonic freak image, as well as Dickens' class stand and reformism thought. This chapter is divided into two sections: the first section mainly discusses the demonic image of the origin of the strange, they are from the aristocrats and the bourgeoisie, with their own power to do whatever they want, Dickens to their origin position expressed its class position; The second section mainly discusses the tragic ending of the demonic geek image. Dickens' special arrangement takes on a sensual color, and their unfortunate fate is also a means for Dickens to oppose capitalism in his novels. It embodies Dickens' thought of reformism. The third chapter focuses on the source of the creation of the demonic image of the weirdo. The first section discusses from the economic aspect, Dickens in the era of rapid economic development, brought a series of negative social problems, the intensification of labor conflicts and the premise of the interpersonal relationship with money, is the social basis for the emergence of demonic freak; The second section discusses from the social morals aspect, Dickens lives the time, the hypocritical moral outlook which the appearance has caused the personality division, this also has the very big influence to the demon strange person's production; the last section mainly discusses from the Dickens subjective aspect, One of the important creative sources of Dickens' demonic geek image is Dickens' own strange character, and his deep observation of life. To a large extent, this kind of image is Dickens' remolding of the prototype of life. It is also the portrayal of Dickens's own strange personality. The fourth chapter mainly discusses the aesthetic experience and aesthetic value of devil-type freak image. Readers have an aesthetic experience when they see this kind of image, mainly including a sense of anomaly, a sense of reality and a sense of antics. At the same time, the demonic image of a weirdo also inspires the reader to yearn for good things. The aesthetic value of ugliness and beauty arouses the readers' emotional resonance and has certain social significance.
【学位授予单位】：陕西理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I561.074

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