博尔赫斯小说中的“上帝”

发布时间：2018-05-11 09:23

  本文选题：上帝 + 诗性存在　； 参考：《南京师范大学》2016年硕士论文

【摘要】：上帝问题不仅是神学的主题,也是文学和艺术的主题。豪尔赫·路易斯·博尔赫斯是二十世纪最伟大的作家之一,他的作品频繁涉及“上帝”这一主题,他的文学创作明显受到了丰富的神学知识和哲学知识的影响。与宗教和哲学思辨里的“上帝”不同,博尔赫斯笔下的“上帝”是一种诗性存在。博尔赫斯通过想象镜中世界、虚构梦中幻影以及设置无限事物,把他对上帝的智性思考实现了诗性转化。“上帝”不再是宗教意义上的信仰对象,也不是哲学本体论意义上的终极实在概念,而是经过作家想象、虚构之后,凝聚了作家的主观情感,从而转变为一种诗性存在的“上帝”。因此,“上帝”在博尔赫斯笔下,显现为具体却又充满悖论的诗化形象。上帝的诗化形象既是具体的“象”,同时又是包含宇宙万物的“万象”,既是“一”又是“一切”。总之,“上帝”是一种充满神秘意味的悖论。在对上帝形象这样悖论式的表现中,博尔赫斯从上帝的视角来审视人类的苦难与幸福。他立足于人的生存困境,揭示出人类在“迷宫”当中生存和死亡的状态。对“迷宫”困境的发现,使他不渴望世俗意义上的永生,而是期待能够超越死亡。在博尔赫斯看来,走出“迷宫”困境的关键就在于对自我的发现和确认,他的一生都在努力探寻“我是谁”。博尔赫斯坚信写作带有自传性质,因此博尔赫斯和他最伟大的创造——另一个博尔赫斯通过写作相遇。两个博尔赫斯的会晤展示了他极具天赋的艺术世界,关于“我”的幸福和苦难亦是关于宇宙和上帝的困惑,博尔赫斯试图用爱和孤独的写作来突围令人绝望的虚无。
[Abstract]:The question of God is not only the subject of theology, but also the subject of literature and art. Jorge Louis Borges is one of the greatest writers in the 20th century. His works frequently involve the theme of "God". His literary creation is obviously influenced by rich knowledge of theology and philosophy. Unlike the "God" in religious and philosophical speculation, Borges's "God" is a poetic existence. Borges transformed his intellectual thinking of God into poetry by imagining the world in the mirror, making illusions in dreams and setting infinite things. "God" is no longer the object of religious belief, nor is it the ultimate concept of reality in the sense of philosophical ontology, but after imagination and fiction, it condenses the subjective feelings of the writer. In this way, it turns into a poetic existence of "God". Therefore, in Borges's works, God appears as a concrete but paradoxical poetic image. The poetic image of God is not only the concrete "image", but also the "universal" which contains all things in the universe. It is both "one" and "everything". In short, God is a paradox full of mystery. In the paradoxical expression of the image of God, Borges examines human suffering and happiness from the perspective of God. Based on the plight of human existence, he reveals the state of human survival and death in the Labyrinth. The discovery of labyrinth makes him not yearn for worldly immortality, but expect to transcend death. In Borges's view, the key to getting out of the maze is to discover and identify himself, who he has been trying to find out all his life. Borges believed that writing was autobiographical, so Borges and his greatest creation, another Borges, met through writing. The two Borges meetings revealed his highly gifted artistic world, the happiness and suffering of the "I" and the confusion of the universe and God, and Borges's attempt to break through the desperate nothingness with love and solitude.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I783.074
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本文编号：1873374