论《国王正在死去》对“死亡恐惧”的双重伦理规训

发布时间：2018-05-23 07:24

本文选题：尤奈斯库 + 《国王正在死去》　；参考：《外国文学研究》2016年06期

【摘要】：本文于荒诞派戏剧的传统解读模式和经典阐释路径之外,关注尤奈斯库戏剧《国王正在死去》中的"死亡恐惧"和与之相关的"伦理规训"过程,并结合作家自身的创作理念与相关思考,力图对这一荒诞派经典作品提出新的观照视角和作出新的文本解读。尤奈斯库用艺术想象在该剧中安排了一场处于伦理价值和日常人性的冲突境遇中的"死亡演练",使得对"死亡恐惧"的伦理规训过程成为中心问题,并于存在意义之上显现出双重性与悖论性。一方面,伦理规训需要以"征服"和"战胜"的方式来避免"死亡恐惧"对存在意义和价值的吞噬;另一方面,伦理规训又必须以留存"死亡恐惧"为前提来确保在存在中直面、对抗和思考死亡的必然性。然而在这一双重伦理规训行动的绝对胜利之下,是回归绝对主体性的自闭与缺失,以及对于在他者之域中重建价值可能性的忽略与盲视。
[Abstract]:In addition to the traditional mode of interpretation and classical interpretation of absurd drama, this paper focuses on the "fear of death" and the related "ethical precepts" in Yunesco's play King is dying. Combined with the writer's own creative ideas and related thinking, the author tries to put forward a new perspective and a new text interpretation of this absurd classic works. With artistic imagination, Unesco arranged a "death drill" in the conflict between ethical values and daily human nature, which made the ethical discipline of "fear of death" become the central issue. And on the meaning of existence shows the duality and paradox. On the one hand, ethical discipline requires "conquering" and "conquering" to avoid the "fear of death" engulfing the meaning and value of existence; on the other hand, Ethical precepts must take fear of death as the premise to ensure the inevitability of facing, confronting and thinking about death in existence. However, under the absolute victory of this dual ethical discipline, it is a return to the absolute subjectivity of the autistic and missing, as well as the possibility of re-establishing value in the domain of the other neglect and blindness.
【作者单位】：武汉大学文学院;
【基金】：中国博士后科学基金第八批特别资助项目“维特根斯坦后期哲学与荒诞派戏剧研究”【项目批号:2015T80826】的阶段性成果
【分类号】：I565.073

【相似文献】