元小说的类型及小说的认知自觉

发布时间：2018-06-03 16:21

本文选题：元小说 + 普遍元意识　；参考：《学术论坛》2016年04期

【摘要】：元小说的"自反性"并不是对某具体叙述行为的反思,而是对叙述的认知过程的反思。任何小说都可能有元意识,但是只有当元叙述部分打破常规设定的时候,元叙述才因引起注意而被推向前台。因元叙述部分和故事部分的纪实性和虚构性的不同搭配,元小说可分为纪实型叙述、讽喻型叙述、暴露型叙述、游戏型叙述四类,前两类被视为常规叙述,后两类被视为元小说。元小说是小说认知转向的结果,具有典型的后现代特征。元小说不仅建构可能世界和虚构世界,而且建构自身。它的意义在于启发我们关注我们所在的世界是如何被建构起来的,从而开拓了一个新的认知模式。
[Abstract]:The reflexivity of metafiction is not a reflection on a specific narrative behavior, but a reflection on the cognitive process of narration. Any novel may have meta-consciousness, but only when the meta-narrative part breaks the conventional setting can the meta-narrative be pushed forward for attention. Due to the different collocation of the documentary and fictional parts of the Yuan narrative part and the story part, the meta-novel can be divided into four categories: the documentary narrative, the allegorical narrative, the exposed narrative and the playful narrative. The first two types are regarded as conventional narration. The latter two categories are regarded as metafictions. Metafiction is the result of novel cognitive turn and has typical postmodern features. Metafiction not only constructs the possible world and fictional world, but also constructs itself. Its significance is to inspire us to focus on how our world is constructed, thus opening up a new cognitive model.
【作者单位】：四川师范大学文学院;
【分类号】：I106.4

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