游戏中的自我追寻与身份建构——任璧莲笔下的“身份表演”

发布时间：2018-06-19 02:30

  本文选题：任璧莲 + 身份表演　； 参考：《华文文学》2016年06期

【摘要】：美国华裔作家任璧莲在其第二部小说《莫娜在应许之地》中,成功尝试了一种独特的文学表现形式,即通过人物表演性的角色和身份扮演,使主人公在成长过程中获得探索自我、定义自我的独特途径。以青少年自我成长的心理分析以及巴特勒身份操演理论观照此小说,可发现"身份表演"作为作品的表现形式很好地表达了作品的主题,传达了作者的文化思想。任璧莲在作品中不仅以流动性文化身份观作为其反本质主义文化思想的核心,更将文化身份建构作为主体发展和自我完善旅程中一个动态性文化过程进行深入的探索,从而超越了族裔身份范畴,上升到更具普遍意义的人的主体性关怀层面上。作家巧妙地将这一系列深入的文化思考,寓寄于身份表演这一指符上,使其展现出不容忽视的诗学意义。
[Abstract]:In her second novel, Mona in the promised Land, the Chinese-American writer Billian has successfully tried a unique form of literary expression, that is, through the role and identity play of character acting. So that the protagonist in the process of growth to explore themselves, define the unique way of self. Judging from the psychological analysis of teenagers' self-growth and the theory of Butler's identity performance, it can be found that "identity performance" as the expression form of the work well expresses the theme of the work and conveys the author's cultural thought. In her works, Ren Bilian not only regards the concept of mobile cultural identity as the core of her anti-essentialism cultural thought, but also explores the construction of cultural identity as a dynamic cultural process in the course of subject development and self-improvement. Therefore, it transcends the category of ethnic identity and rises to the level of subjective concern of people of more universal significance. The writer cleverly puts this series of deep cultural thinking on the symbol of identity performance, which makes it show the poetic significance which can not be ignored.
【作者单位】： 暨南大学外国语学院;
【基金】：教育部人文社科基金项目“面具的政治:华裔美国文学‘身份表演’书写研究”(项目批准号:14YJA752017)
【分类号】：I712.074
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本文编号：2037963