曼德尔施塔姆对维庸的发现与重塑

发布时间：2018-06-25 07:59

本文选题：曼德尔施塔姆 + 弗朗索瓦·维庸　；参考：《外国文学研究》2016年03期

【摘要】：中世纪大诗人弗朗索瓦·维庸,被视为俄罗斯"白银时代"阿克梅派的"四大基石"之一,奥西普·曼德尔施塔姆在批评散文"弗朗索瓦·维庸"中对其进行了前瞻性书写。曼德尔施塔姆对维庸的发现和重塑,建立在对抒情诗人"雌雄同体"本质认识的基础之上;而对维庸明显疏离大自然态度的发现,对其造反行动的存在主义解读,则是曼德尔施塔姆新颖独到的阐发。曼德尔施塔姆还从三个角度解读维庸的艺术魅力之谜,将比喻式批评风格发挥得淋漓尽致,从思想和艺术层面全面展示了一个现代维庸的形象。由此,结合二人的生平履历,可以发现曼德尔施塔姆和维庸之间存在着明显的契合性;细致阐释两者的精神联系及差异性,可以得出曼德尔施塔姆超越维庸、自我成圣的结论。
[Abstract]:Francois Veyon, the great poet of the Middle Ages, is regarded as one of the "four cornerstones" of the Akemite School of Russia in the Silver Age. Mandelstam's discovery and remoulding of vassal is based on the understanding of the essence of the lyric poet "androgynous", while the discovery of his obvious alienation from nature and the existential interpretation of his rebellious actions. It is a novel and unique interpretation of Mandelstam. Mandelstam also interprets the enigma of Wei Yong's artistic charm from three angles, exerts the metaphorical criticism style incisively and vividly, and displays an image of modern vassal from the aspect of thought and art. Therefore, combined with their biographical experience, we can find that there is an obvious correspondence between Mandelstam and Vyong, and explain the spiritual connection and difference between them in detail, and draw the conclusion that Mandelstam transcends the vassal and sanctifies himself.
【作者单位】：东北师范大学文学院;
【分类号】：I512.06

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