哈斯诗歌:语言的还乡与审美的政治

发布时间：2018-06-26 23:24

本文选题：罗伯特·哈斯 + 语言　；参考：《当代外国文学》2016年01期

【摘要】：语言因为人的干预逐渐叛离其自然性并在现代行至极端。诗人罗伯特·哈斯试图在对语言的怀疑中重建对它的信任,他将语言带回其发生和进化的自然史境遇进行重审,将语言在自然发展中的人文戳记看作是人之为生物有机体与其生存环境进行互动的结果。揭示主体感觉世界的过程及感觉的伦理是哈斯诗歌的重要审美模式。诗歌对世界的关系既非映射亦非投射而是介乎其间,在摹仿和虚构之间揭示和创造世界;同时,诗歌将语言的图像功能和政治表征融为一体,其间蕴含感觉经验的伦理秩序和浪漫派的实用政治。
[Abstract]:Language gradually defected from its naturalness because of human intervention and went to extremes in modern times. The poet Robert Haas tried to rebuild his trust in language in his doubts about it, bringing it back to its natural history of occurrence and evolution. The humanistic stamp of language in the development of nature is regarded as the result of the interaction between human beings as living organisms and their living environment. Revealing the process of subjective perception of the world and the ethics of feeling is an important aesthetic model in Haas's poetry. The relationship between poetry and the world is neither a mapping nor a projection, but a section in which the world is revealed and created between imitation and fiction. At the same time, poetry merges the image function and political representation of language into one. Meanwhile, it contains the ethical order of sensory experience and the practical politics of romanticism.
【作者单位】：大连理工大学外国语学院;
【基金】：教育部人文社科研究规划基金项目“过程与关系:美国现代诗歌形式的实用主义哲学研究”(14YJA752018)的中期成果
【分类号】：I712.072

【相似文献】