“谁使人在夜间歌唱”—论《吉檀迦利》的多重阐释空间

发布时间：2018-06-28 18:40

本文选题：我-你” + “我-他”　；参考：《青岛大学》2017年硕士论文

【摘要】：被誉为“诗圣”泰戈尔与被视为“先知”的马丁·布伯,二者声誉的形成在一定程度上反映了现代性与民族传统遭遇时,受民族传统文化影响的知识分子是以何种身份回应时代性与历史性的挑战。在马丁·布伯的《我与你》中包含着契合于泰戈尔的《吉檀迦利》之处:《我与你》中包含着可供阐释《吉檀迦利》的“我-你”“我-他”关系。而“我-你”“我-他”关系不仅作为两组相互对立的哲学概念,而且可以由此出发作为理解与考察诗歌中文本意义空间生成与意象结构的枢要。而本文在使用马丁·布伯“我-你”“我-他”概念对《吉檀迦利》进行阐发的同时,也充分考虑到对文本进行细读的必要性;同时利用伽达默尔与保罗·利科的阐释学,在后现代的语境中进行文本阐释。而本文将首先讨论《我与你》与《吉檀迦利》的互文性为文本阐释所开拓的方向:诗人形象的制作与《吉檀迦利》这个特定文本所具有的可写性;其后,将着重分析在“我-你”主题中意象组合的三种方式:歌-歌者的自我指涉结构,旅人-等候者的双重维度结构,以孩童意象为中轴的情人-乞者与国王-你的平行结构。在此基础上,尝试从“我-你”“我-他”关系之外“他者性”的角度,审视并选择《吉檀迦利》中的部分意象,组成新的意象群组。以期在后现代的语境中,重释《吉檀迦利》中存在的“宏大叙事”与后现代接受语境中“碎片化叙事”的冲突。
[Abstract]:Tagore, known as the "poem saint", and Martin Buber, who is regarded as the "prophet", to a certain extent, the formation of the reputation of the two reflects the modernity and national tradition encounter. In what capacity are intellectuals affected by national traditional culture to respond to the challenge of the times and history. In Martin Buber's "I and you" contains the "I-you"-I-he relationship that fits Tagore: "I and you". The relationship between "I you" and "I he" not only serves as two sets of opposite philosophical concepts, but also can be used as the pivot of understanding and examining the generation of meaning space and image structure of Chinese text in poetry. While using the concept of "I you" and "I he" of Martin Buber to elucidate "Gitangeli", this paper also fully considers the necessity of careful reading of the text, and also makes use of the hermeneutics of Gadamer and Paul Liko. Text interpretation in postmodern context. And this article will first discuss the intertextuality of "I and you" and "Gedanta Gagali", which is the direction of textual interpretation: the creation of the poet's image and the writability of this particular text. This paper will focus on the analysis of the three ways of image combination in the theme of "I you": the self-referential structure of the singer, the dual dimensional structure of the traveller and the waiting person, and the parallel structure of the lover, the beggar and the king, whose axis is the image of the child. On this basis, this paper tries to examine and select some images in Gitangeli from the angle of "I-you" and "I-he" relationship to form a new image group. In order to reinterpret the conflict between "grand narration" and "fragmentation narrative" in postmodern context.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I351.072

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