大学场域中白先勇的文学存在

发布时间：2018-07-02 14:29

本文选题：传播者 + 《大学语文》　；参考：《华文文学》2017年01期

【摘要】：文章从传播者角度对白先勇在中国内地及澳门高校中的文学存在方式进行考察。在大学场域中并存着三股力量对白先勇的作品进行有效传播,即专业传播者、通识教育传播者与作家自我传播。专业传播者位处大学场的核心,是最为恒久深刻的传播者,但局限于少数的专业读者;通识教育传播者拥有大学场中最多的受众,受课程教学目标、文学史逻辑、怀乡主题、地域特色、编者视野、篇章设置、经典性等因素多重影响,白先勇有四篇作品入选《大学语文》;作家自我在大学场中传播另一种经典艺术形式"昆曲",反而拓展其文学存在的疆域,这种"白先勇文学存在模式"将启发当代作家走向更加多元的跨界文化艺术实践。
[Abstract]:From the point of view of the communicator, this article examines the literary existence of Bai Xianyong in mainland China and the universities of Macao. In the field of University, there are three forces to effectively disseminate Bai Xianyong's works, namely, the professional communicators, the communicators of general education and the self dissemination of the writers. The core of the professional communicators at the university field is the most permanent Profound disseminators, but limited to a small number of professional readers; general education communicators have the largest audience in the university field, subject to curriculum teaching objectives, literary history logic, nostalgic theme, regional characteristics, editor's vision, text setting, classic and other factors, Bai Xianyong has four works selected < university language >; writer self in the university field Instead of spreading another classical art form of Kunqu, it expands the territory of its literary existence. This "Bai Xianyong literature existence model" will inspire contemporary writers to become more pluralistic, cross boundary cultural and artistic practice.
【作者单位】：澳门城市大学;
【分类号】：I712.06

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