人的自我确证与困惑:作为颓废主义“精神标本”的《逆天》
发布时间：2018-07-26 20:24
【摘要】：《逆天》提供了颓废者德泽森特病态审美趣味的"症候"。如果从新实践论美学的相关论点出发,可以发现德泽森特在其审美体验中呈现了人的自我意识本质结构,他以实践的方式揭示了"艺术与美"的本质:对人的情感的确证。德泽森特的审美体验过程即"自然向人生成"的异化表现,其病态化"症候"是由于情感无法借助对象化而自由传达所导致的"自由感"的丧失,他的遭遇提供了一个特定时代的"精神标本"。
[Abstract]:Inverse Heaven provides the "symptom" of the decadent Vicente's morbid aesthetic taste. If we proceed from the relevant arguments of the New practical Aesthetics, we can find that in his aesthetic experience, Denzente presents the essential structure of man's self-consciousness, and he reveals the essence of "Art and Beauty" in a practical way: the confirmation of human emotion. The aesthetic experience of Vicente is the dissimilation of "nature to life", and its morbid "symptom" is the loss of "sense of freedom" caused by the loss of "freedom" caused by the inability of emotion to convey freely with the aid of objectification. His experience provides a "spiritual specimen" of a particular era.
【作者单位】： 华中科技大学中文系;浙江工商大学人文与传播学院;
【基金】：国家社科基金重大项目“19世纪西方文学思潮研究”(15ZDB086)的阶段性研究成果
【分类号】：I565.074
，
本文编号：2147195
[Abstract]:Inverse Heaven provides the "symptom" of the decadent Vicente's morbid aesthetic taste. If we proceed from the relevant arguments of the New practical Aesthetics, we can find that in his aesthetic experience, Denzente presents the essential structure of man's self-consciousness, and he reveals the essence of "Art and Beauty" in a practical way: the confirmation of human emotion. The aesthetic experience of Vicente is the dissimilation of "nature to life", and its morbid "symptom" is the loss of "sense of freedom" caused by the loss of "freedom" caused by the inability of emotion to convey freely with the aid of objectification. His experience provides a "spiritual specimen" of a particular era.
【作者单位】： 华中科技大学中文系;浙江工商大学人文与传播学院;
【基金】：国家社科基金重大项目“19世纪西方文学思潮研究”(15ZDB086)的阶段性研究成果
【分类号】：I565.074
，
本文编号：2147195
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