解读《神谕女士》中琼的女性主体性
发布时间：2018-08-01 14:12
【摘要】：玛格丽特·阿特伍德小说《神谕女士》以女主角琼对家庭生活的回忆和罗曼司写作为两条主线:前者体现了琼在现实生活中,一方面受罗曼司影响,扮演传统女性角色,另一方面受到男权意识形态的束缚和压迫,琼反叛性地操演女性角色,展现其女性主体性;后者对罗曼司这种文类进行重新书写和解读,揭示出性别角色的人为虚构性,为建构多样、流动的主体性提供了有力支持。两条主线彼此交叉,展现了女主角对性别角色和传统罗曼司的认同、质疑和反叛,成为构建女主角女性主体性的线索和脉络。通过梳理爱情婚姻、母女关系,以及写作对女主角女性主体性构建的影响,并参考巴特勒"性别操演"理论,本文认为女性主体性体现在重复操演一系列女性角色的过程中,女性并非亦步亦趋,而是可以发挥主观能动性,重新解读并反叛男权意识形态下受压迫和剥削的女性角色。此外,写作揭示了男权意识形态、性别角色的虚构性,消解了人为造成的性别不平等,突出了女性和男性具有共同的多样、流动的主体性,为建立和谐平等的两性关系提供了基础和条件。
[Abstract]:Margaret Atwood's novel "Lady of the oracle" takes the heroine Joan's recollection of family life and Romance's writing as two main lines: the former reflects Joan's influence on the one hand and plays the traditional female role in real life. On the other hand, under the restraint and oppression of patriarchal ideology, Joan rebelliously performed the female role to show her female subjectivity, and the latter rewrote and interpreted Romance's literary genre to reveal the artificial hypocrisy of the gender role. For the construction of diversity, the flow of subjectivity to provide a strong support. The two main lines intersect with each other, showing the female protagonists' recognition, doubt and rebellion of gender roles and traditional Romance, which become the clue and thread of constructing the female subjectivity of female protagonists. By combing the influence of love and marriage, mother-daughter relationship, and writing on the construction of female subjectivity of female protagonists, and referring to Butler's theory of "gender performance", this paper argues that female subjectivity is embodied in the process of repeating a series of female roles. Women do not follow each other, but they can play a subjective role and reinterpret and rebel against the female role of oppression and exploitation under patriarchal ideology. In addition, writing reveals the hypocrisy of patriarchal ideology and gender roles, eliminates the man-made gender inequality, and highlights the common diversity and flowing subjectivity of women and men. For the establishment of harmonious and equal gender relations to provide the basis and conditions.
【学位授予单位】：北京外国语大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I711.074
本文编号：2157834
[Abstract]:Margaret Atwood's novel "Lady of the oracle" takes the heroine Joan's recollection of family life and Romance's writing as two main lines: the former reflects Joan's influence on the one hand and plays the traditional female role in real life. On the other hand, under the restraint and oppression of patriarchal ideology, Joan rebelliously performed the female role to show her female subjectivity, and the latter rewrote and interpreted Romance's literary genre to reveal the artificial hypocrisy of the gender role. For the construction of diversity, the flow of subjectivity to provide a strong support. The two main lines intersect with each other, showing the female protagonists' recognition, doubt and rebellion of gender roles and traditional Romance, which become the clue and thread of constructing the female subjectivity of female protagonists. By combing the influence of love and marriage, mother-daughter relationship, and writing on the construction of female subjectivity of female protagonists, and referring to Butler's theory of "gender performance", this paper argues that female subjectivity is embodied in the process of repeating a series of female roles. Women do not follow each other, but they can play a subjective role and reinterpret and rebel against the female role of oppression and exploitation under patriarchal ideology. In addition, writing reveals the hypocrisy of patriarchal ideology and gender roles, eliminates the man-made gender inequality, and highlights the common diversity and flowing subjectivity of women and men. For the establishment of harmonious and equal gender relations to provide the basis and conditions.
【学位授予单位】：北京外国语大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I711.074
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