《米格尔大街》中人物的狂欢化解读
发布时间：2018-08-12 12:18
【摘要】：《米格尔大街》开启了奈保尔长达半个世纪的写作生涯,并在他的生活中起着举足轻重的作用。这是一部有17个短篇故事组成的故事集,故事集中殖民地人们过着贫穷悲惨的生活,却只能苦中作乐。米格尔大街上形形色色的人物不断地被加冕和脱冕,甚至机械地模仿殖民国家的诗人、法官和语言等,这些正与巴赫金狂欢诗学中的狂欢仪式相契合。不仅如此,人们的日常语言就像具有两副面孔的雅努斯,表达着双重含义,他们所做的一切荒唐的行为都是为了那遥不可及的乌托邦以及实现一定程度上对殖民文化的颠覆。由此可见,米格尔大街上的人们都沉浸在自己的狂欢生活和非官方的世界中,整条大街到处都渗透着狂欢的氛围。国内外大部分学者都致力于《米格尔大街》的叙事技巧、边缘性研究和后殖民主义分析,然而很少有学者从狂欢化的角度来解读。本文试图从狂欢化角度分析那些米格尔大街上的或傻或疯的人物各式各样的狂欢生活,探索他们的狂欢化世界感受以及狂欢生活背后的辛酸苦楚。本论文主要分为五个部分。第一部分主要是维·苏·奈保尔及其作品《米格尔大街》的简单介绍和国内外的研究现状,并梳理理论框架,阐述研究动机和意义以及文章的布局结构。主体部分中第一章剖析疯癫人物的狂欢仪式,主要有曼曼和大脚的加冕与脱冕和摩根与B·华兹华斯的模仿。这些疯疯癫癫的人物在长期的殖民统治下,以各自的仪式过着狂欢生活,最终也逃不过梦醒一场空的结局。第二章阐释人物在狂欢生活中的话语,主要包括地方民间音乐——克里普索小调,间接的话语反讽以及一些粗鄙的语言。米格尔大街上的人们的狂欢诉求,无时无刻不体现在他们的言语上,借此间接表达不满的情感。第三章从狂欢广场上的乌托邦生活,颠覆和双重性三方面解读狂欢化世界感受。最后是结论部分,主要总结米格尔大街上不同人物的狂欢仪式,狂欢语言和狂欢化世界感受,提出了狂欢生活的哲学意义,再次审视殖民统治下人们注定的结局。米格尔街上形形色色的人物都在过着一种狂欢化生活来使自己忘却那毫无希望的生活所带来的悲痛和无奈,然而当他们回到真实生活中时,却意识到依然摆脱不了被殖民的窘境。
[Abstract]:Miguel Street opened Naipaul's half-century writing career and played an important role in his life. This is a collection of 17 short stories, which focus on the poverty and misery of the colonists. All kinds of characters on Miguel Street are constantly crowned and discrowned, even mechanically imitating the poets, judges and language of colonial countries, which are in accord with the carnival rituals in Bakhtin's carnival poetics. Not only that, people's everyday language, like Janus with two faces, expresses a double meaning, and all the absurd acts they do are for the inaccessible utopia and for some degree of subversion of colonial culture. Thus, people on Miguel Street are immersed in their own carnival life and unofficial world, the whole street permeated with carnival atmosphere. Most scholars at home and abroad devote themselves to the narrative techniques, marginal studies and post-colonial analysis of Miguel Street. However, few scholars interpret it from the perspective of carnival. This paper attempts to analyze all kinds of carnival life of those silly or crazy characters on Miguel Street from the perspective of carnival, to explore their carnival world feelings and the bitterness behind carnival life. This paper is divided into five parts. The first part is mainly about the brief introduction of Wei Su Naipaul and his work Miguel Street and the present research situation at home and abroad, combing the theoretical framework, expounding the motivation and significance of the research and the layout structure of the article. The first chapter of the main part analyzes the carnival ceremony of crazy characters, mainly including the coronation and de-coronation of Manman and Bigfoot and the imitation of Morgan and B. Wordsworth. These crazy characters, under the long colonial rule, live a carnival life with their own rituals, and finally can not escape the dream of an empty ending. The second chapter explains the characters' words in the carnival life, mainly including local folk music-Kripuso minor, indirect discourse irony and some vulgar language. The revelry demands of people on Miguel Street are reflected in their words all the time, thus indirectly expressing their feelings of discontent. The third chapter interprets the carnival world feeling from utopia life, subversion and duality of carnival square. The last part is the conclusion, which mainly summarizes the carnival ceremony, carnival language and carnival world feeling of different characters on Miguel Street, puts forward the philosophical significance of carnival life, and again examines the doomed outcome of people under colonial rule. All the characters on Miguel Street were living a carnival life to make themselves forget the grief and helplessness of that hopeless life, but when they returned to real life, But realize that still can't get rid of the predicament of colonization.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I561.074
本文编号：2179032
[Abstract]:Miguel Street opened Naipaul's half-century writing career and played an important role in his life. This is a collection of 17 short stories, which focus on the poverty and misery of the colonists. All kinds of characters on Miguel Street are constantly crowned and discrowned, even mechanically imitating the poets, judges and language of colonial countries, which are in accord with the carnival rituals in Bakhtin's carnival poetics. Not only that, people's everyday language, like Janus with two faces, expresses a double meaning, and all the absurd acts they do are for the inaccessible utopia and for some degree of subversion of colonial culture. Thus, people on Miguel Street are immersed in their own carnival life and unofficial world, the whole street permeated with carnival atmosphere. Most scholars at home and abroad devote themselves to the narrative techniques, marginal studies and post-colonial analysis of Miguel Street. However, few scholars interpret it from the perspective of carnival. This paper attempts to analyze all kinds of carnival life of those silly or crazy characters on Miguel Street from the perspective of carnival, to explore their carnival world feelings and the bitterness behind carnival life. This paper is divided into five parts. The first part is mainly about the brief introduction of Wei Su Naipaul and his work Miguel Street and the present research situation at home and abroad, combing the theoretical framework, expounding the motivation and significance of the research and the layout structure of the article. The first chapter of the main part analyzes the carnival ceremony of crazy characters, mainly including the coronation and de-coronation of Manman and Bigfoot and the imitation of Morgan and B. Wordsworth. These crazy characters, under the long colonial rule, live a carnival life with their own rituals, and finally can not escape the dream of an empty ending. The second chapter explains the characters' words in the carnival life, mainly including local folk music-Kripuso minor, indirect discourse irony and some vulgar language. The revelry demands of people on Miguel Street are reflected in their words all the time, thus indirectly expressing their feelings of discontent. The third chapter interprets the carnival world feeling from utopia life, subversion and duality of carnival square. The last part is the conclusion, which mainly summarizes the carnival ceremony, carnival language and carnival world feeling of different characters on Miguel Street, puts forward the philosophical significance of carnival life, and again examines the doomed outcome of people under colonial rule. All the characters on Miguel Street were living a carnival life to make themselves forget the grief and helplessness of that hopeless life, but when they returned to real life, But realize that still can't get rid of the predicament of colonization.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I561.074
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