对规训的逃离—《革命之路》中“窗”意象的研究
发布时间：2018-08-28 08:22
【摘要】：理查德·耶茨是美国"焦虑时代"的伟大作家,美国20世纪30至60年代的代言人。而耶茨作为一位自传性因素很强的作家,在以现实主义手法忠实记录20世纪中叶美国主流生活的同时,还在作品中或多或少地渗透着他的自我意识。由于耶茨本人独特的经历,使其终生都渴望逃离。50年代压抑的政治气氛又强化了他的逃离意识,《革命之路》便是时代与个人双重压抑的产物。所以《革命之路》不仅表现了耶茨个人的逃离意识,更表现了一个时代的逃离意识。50年代早已被贴上"沉闷保守"的政治标签,中产阶级这一群体由于其独特的社会地位在这种时代氛围下更是噤若寒蝉。但中产阶级并非铁板一块,以知识技能为主导特征的"新中产阶级"内部已有分化,一部分向以资本为主要特征的老派中产阶级靠拢,安分守己是他们的生活方式,一部分向激进的青年一代靠拢,具有强烈的反叛精神。中产阶级的这种内部分化昭示着沉闷保守的50年代背后也潜藏着一股激流。正是这股激流使50年代和60年代前后相承,而非断裂。但由于时代环境等诸因素使然,具有反叛精神的这部分中产阶级并未采取实际的激进举措,仅仅是进行了象征意义上的"革命"。这种反叛精神在《革命之路》中表现为逃离意识。"窗"意象便是这种逃离意识的载体。在《革命之路》中"窗"的隐喻义非常丰富,作品中的"窗"一方面是察看外部世界的媒介,另一方面又因封闭是逃离现有困境的障碍。除了 "窗"的实义层面外,无处不在的"窗"象征着福柯所说的"权力的眼睛",是社会规范对人的禁闭、监视和迫害。作为隐喻层面的"窗"可用于隔离、监视和逃离。本文的论述主要分三个部分,分别对应"窗"的这三重隐喻功能,这三重隐喻功能也反映出《革命之路》中人物的生存状态以及50年代的时代氛围。本文借助文本解读从"窗"的这三重隐喻功能着手分析《革命之路》中人物的生存状态,更进一步探微那个时代。
[Abstract]:Richard Yates is a great American writer in the Age of anxiety and a spokesman for America in the 1930s and 1960s. As a writer with strong autobiographical factors, Yates, while faithfully recording the mainstream American life in the middle of the 20th century, has more or less permeated his self-consciousness in his works. Because of his own unique experience, Yates longed to escape from the political atmosphere of the 1950s and strengthened his escape consciousness. The Road of Revolution is the product of the dual repression of the times and individuals. So the road to revolution not only shows Yates' personal sense of escape, but also the escape consciousness of an era. The 1950s has long been labeled "dreary and conservative" politics. The middle class, because of its unique social status, is shivering in this era. But the middle class is not a monolithic one. The "new middle class", characterized by knowledge and skills, has become divided within itself, some of which are drawn closer to the old-school middle class characterized mainly by capital, and their way of life is to keep one's share and keep one's own. Part of the radical younger generation drew closer, with a strong rebellious spirit. This internal division of the middle class reveals a torrent behind the dreary conservative 1950s. It was this torrent that made the 1950s and '60s, rather than break. However, due to various factors, such as the times, the rebellious spirit of this part of the middle class did not take practical radical measures, only a symbolic "revolution". This rebellious spirit is manifested in the road to revolution as a sense of escape. " The image of window is the carrier of escape consciousness. The metaphorical meaning of "window" in "the Road of Revolution" is very rich. On the one hand, the "window" in the works is the medium of viewing the external world, on the other hand, the closure is the obstacle to escape from the present predicament. In addition to the "window", the ubiquitous window symbolizes Foucault's "eyes of power", which is the confinement, surveillance and persecution of people by social norms. As a metaphorical level, the window can be used to isolate, monitor and escape. This thesis is divided into three parts, corresponding to the triple metaphorical function of "window", which also reflects the living state of the characters in "the Road of Revolution" and the atmosphere of the era in the 1950s. With the help of textual interpretation, this paper analyzes the living state of the characters in the Road of Revolution from the perspective of the triple metaphorical function of the window, and further explores that era.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I712.074
本文编号：2208829
[Abstract]:Richard Yates is a great American writer in the Age of anxiety and a spokesman for America in the 1930s and 1960s. As a writer with strong autobiographical factors, Yates, while faithfully recording the mainstream American life in the middle of the 20th century, has more or less permeated his self-consciousness in his works. Because of his own unique experience, Yates longed to escape from the political atmosphere of the 1950s and strengthened his escape consciousness. The Road of Revolution is the product of the dual repression of the times and individuals. So the road to revolution not only shows Yates' personal sense of escape, but also the escape consciousness of an era. The 1950s has long been labeled "dreary and conservative" politics. The middle class, because of its unique social status, is shivering in this era. But the middle class is not a monolithic one. The "new middle class", characterized by knowledge and skills, has become divided within itself, some of which are drawn closer to the old-school middle class characterized mainly by capital, and their way of life is to keep one's share and keep one's own. Part of the radical younger generation drew closer, with a strong rebellious spirit. This internal division of the middle class reveals a torrent behind the dreary conservative 1950s. It was this torrent that made the 1950s and '60s, rather than break. However, due to various factors, such as the times, the rebellious spirit of this part of the middle class did not take practical radical measures, only a symbolic "revolution". This rebellious spirit is manifested in the road to revolution as a sense of escape. " The image of window is the carrier of escape consciousness. The metaphorical meaning of "window" in "the Road of Revolution" is very rich. On the one hand, the "window" in the works is the medium of viewing the external world, on the other hand, the closure is the obstacle to escape from the present predicament. In addition to the "window", the ubiquitous window symbolizes Foucault's "eyes of power", which is the confinement, surveillance and persecution of people by social norms. As a metaphorical level, the window can be used to isolate, monitor and escape. This thesis is divided into three parts, corresponding to the triple metaphorical function of "window", which also reflects the living state of the characters in "the Road of Revolution" and the atmosphere of the era in the 1950s. With the help of textual interpretation, this paper analyzes the living state of the characters in the Road of Revolution from the perspective of the triple metaphorical function of the window, and further explores that era.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I712.074
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