神话原型批评视角下的《金色笔记》研究
发布时间：2018-09-10 06:22
【摘要】：《金色笔记》是当代英国著名的女作家多丽丝·莱辛(Doris Lessing)的代表作。本文从神话原型批评视角对《金色笔记》与西方神话对应关系进行阐释,指出该作品所蕴含的有关人类生命意义的主题:小说中主人公人格回归的过程,实质上是自我与他人、自我与社会之间的抗争与和解的过程。作品表达了人类只有通过抗争达成和解,才能获得生命的价值和意义,并且这是解决现代社会一系列矛盾与冲突的必由之路。从这层意义上来看,小说具有现代神话的特质。本文主要依据弗莱的神话原型理论,从意象原型、人物原型和叙事结构原型三个方面对《金色笔记》进行探讨。首先,本文分析了作品中频繁出现的海、水、鸽子等意象,通过对这些意象的原型和现代意义的解读,揭示它们所体现的自我与他人和解的象征意义。其次,本文通过对小说中的主要人物与神话人物的对应关系的分析,指出莱辛将自我与社会的和解看作是一种自我救赎的方式。最后,本文分析了小说的叙事结构原型,指出小说四本笔记中的《黑色笔记》和《红色笔记》的叙事结构是弗莱所提出的悲剧、嘲弄和讽刺的两种叙事结构的映射,体现了神话叙事模式下人类与外部世界的抗争。从神话原型批评的视角解读《金色笔记》,本文得出如下结论:小说对神话意象、人物、叙事结构原型的运用,不仅展示了莱辛高超的艺术创作功底和表现力,而且增强了小说的深刻性和可读性。经由这些方式,莱辛将传统与当代、神话与现实很好地结合在一起,使得《金色笔记》成为世界文学史上具有永恒魅力的艺术作品。
[Abstract]:The Golden Notebook is the masterpiece of Doris Lessing (Doris Lessing), a famous contemporary British woman writer. From the perspective of archetypal criticism of mythology, this paper interprets the corresponding relationship between Golden Notes and Western mythology, and points out that the theme of this work is the meaning of human life: the process of the return of the protagonist's personality in the novel is in essence the process of the return of the protagonist's personality to himself and others. The process of struggle and reconciliation between self and society. The works express that only through the struggle to achieve reconciliation, human beings can obtain the value and significance of life, and this is the only way to solve a series of contradictions and conflicts in modern society. In this sense, the novel has the characteristics of modern mythology. Based on Frey's mythological archetypal theory, this paper probes into Golden Notes from three aspects: image archetype, character prototype and narrative structure prototype. Firstly, this paper analyzes the images of sea, water, pigeon and so on, and reveals the symbolic meaning of self-reconciliation through the interpretation of the archetypal and modern meaning of these images. Secondly, through the analysis of the correspondence between the main characters and the mythical characters in the novel, the author points out that Lessing regards the reconciliation between himself and society as a way of self-redemption. Finally, this paper analyzes the prototype of the narrative structure of the novel, and points out that the narrative structure of "Black Notes" and "Red Notes" in the four books of the novel is the reflection of the tragedy, ridicule and satire of the two narrative structures put forward by Fry. It reflects the struggle between human beings and the outside world under the mythological narrative mode. From the perspective of archetypal criticism of mythology, this paper draws the following conclusions: the use of mythical images, characters and narrative structure archetypes in novels not only shows Lessing's superb artistic creation skills and expressive power, Moreover, it enhances the profundity and readability of the novel. In these ways, Lessing combines tradition with contemporary, mythology and reality, making Golden Notebook a work of art with eternal charm in the history of world literature.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I561.074
[Abstract]:The Golden Notebook is the masterpiece of Doris Lessing (Doris Lessing), a famous contemporary British woman writer. From the perspective of archetypal criticism of mythology, this paper interprets the corresponding relationship between Golden Notes and Western mythology, and points out that the theme of this work is the meaning of human life: the process of the return of the protagonist's personality in the novel is in essence the process of the return of the protagonist's personality to himself and others. The process of struggle and reconciliation between self and society. The works express that only through the struggle to achieve reconciliation, human beings can obtain the value and significance of life, and this is the only way to solve a series of contradictions and conflicts in modern society. In this sense, the novel has the characteristics of modern mythology. Based on Frey's mythological archetypal theory, this paper probes into Golden Notes from three aspects: image archetype, character prototype and narrative structure prototype. Firstly, this paper analyzes the images of sea, water, pigeon and so on, and reveals the symbolic meaning of self-reconciliation through the interpretation of the archetypal and modern meaning of these images. Secondly, through the analysis of the correspondence between the main characters and the mythical characters in the novel, the author points out that Lessing regards the reconciliation between himself and society as a way of self-redemption. Finally, this paper analyzes the prototype of the narrative structure of the novel, and points out that the narrative structure of "Black Notes" and "Red Notes" in the four books of the novel is the reflection of the tragedy, ridicule and satire of the two narrative structures put forward by Fry. It reflects the struggle between human beings and the outside world under the mythological narrative mode. From the perspective of archetypal criticism of mythology, this paper draws the following conclusions: the use of mythical images, characters and narrative structure archetypes in novels not only shows Lessing's superb artistic creation skills and expressive power, Moreover, it enhances the profundity and readability of the novel. In these ways, Lessing combines tradition with contemporary, mythology and reality, making Golden Notebook a work of art with eternal charm in the history of world literature.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I561.074
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8 施e，
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