口述、表演与叙事——非洲书面文学中的口头叙事研究

发布时间：2018-09-18 14:42

【摘要】：自20世纪80年代以来,随着数位非洲作家问鼎诺贝尔文学奖,非洲文学以其独特的创作风貌和厚重的文化内涵引起了世人的瞩目,其重要特征之一便是口头叙事的大量运用。本文论述了表演理论为书面文学中的口头叙事研究提供的学理基础,并从框架和自反性两个核心概念出发,阐释表演如何桥接口述和书面叙事,从而构成文本深层的表演叙事结构,并探讨了表演叙事的文化功能和意义。从表演切入非洲书面文学中的口头叙事研究,对当代非洲文学理论的发展和非洲文学身份的建构,都具有十分重要的意义。
[Abstract]:Since the 1980s, with several African writers winning the Nobel Prize for Literature, African literature has attracted the attention of the world for its unique style of creation and rich cultural connotation. One of its important features is the extensive use of oral narration. This paper discusses the theoretical basis of the theory of performance for the study of oral narration in written literature, and explains how to bridge the oral narrative and the written narrative from the two core concepts of frame and reflexivity. It also discusses the cultural function and significance of the performance narrative. The study of oral narration from performance into African written literature is of great significance to the development of contemporary African literary theory and the construction of African literary identity.
【作者单位】：长沙理工大学外国语学院;
【基金】：教育部人文社会科学研究青年基金项目(项目号编:15YJC752007) 湖南省教育厅资助科研项目(项目编号:15B018) 湖南省哲学社会科学基金一般项目(项目编号:15YBA009)的阶段性成果
【分类号】：I106

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