论《特别响,非常近》中的空白艺术

发布时间：2018-10-20 16:16

【摘要】：学界大多从创伤视角阐释乔纳森·萨福兰·弗尔的后"9·11"小说《特别响,非常近》,然而,若在空白论的观照下,从语言空白、版式空白与结尾空白等三方面剖析该小说的空白艺术,则可提供"一种打破文本疆界和惯例束缚的全新视角"。语言空白的模糊性与多义性使小说文本达到言有尽而意无穷的审美效果,其最高形式——失语——更具有无言之美;一句话一页与空白页所呈现的版式空白实是"有意味的形式",亦成为可读更成为可写的文本;结尾空白含蕴极其丰富,既惊喜意外又发人深省。《特别响,非常近》中的空白是无象中的有象,无形中的有形,亦是一种召唤结构;而作为一种特殊的艺术表现形态,空白艺术则是阅读与审美的起点,更是艺术韵味与意义再造的源头活水。
[Abstract]:Most scholars interpret Jonathan Suffolan Freer's post-9 11 novel, "very close," from the perspective of trauma. However, in the light of blankness theory, from the perspective of language blank, To analyze the blank art of the novel from three aspects, namely, the layout blank and the ending blank, can provide a new angle of view to break the boundary of the text and the bondage of the convention. The fuzziness and polysemy of the language blank make the text of the novel achieve the aesthetic effect which is full of words and infinite meaning, and its highest form, aphasia, has the beauty of silence; The blanks in a sentence page and blank page are actually "meaningful forms" and become readable and writable texts; the ending blanks are extremely rich, surprising and thought-provoking. The blank in very near > is the image in the absence, the visible in the invisibility, and the calling structure; and as a special form of artistic expression, the blank art is the starting point of reading and aesthetic appreciation. It is also the source of artistic charm and meaning reconstruction.
【作者单位】：江苏理工学院外国语学院;南京农业大学工学院;
【基金】：2015年度江苏省社会科学基金项目(15WWB006) 2015年度江苏省社科应用研究精品工程外语类课题(15jsyw-23)
【分类号】：I712.074

【相似文献】