《到大地尽头》中的战争创伤主题研究
发布时间：2018-10-29 12:49
【摘要】：大卫·格罗斯曼是当代以色列最重要的作家之一,他于20世纪70年代末登上文坛,《到大地尽头》堪称其创作生涯的巅峰之作。作品从女性的立场出发,叙事视角在过去与现在之间不断转换,展现了在战争创伤的阴影下一个普通以色列家庭压抑的生存状态,影射出当代以色列人令人担忧的命运,以色列儿女在国家主义的规训中前仆后继地奔赴战场,绵延不断的战争留给人们无尽的创伤。本论文试从创伤呈现、创伤修复、创伤反思三个层面解读《到大地尽头》中的战争创伤主题。战争创伤阴影下的个体遭遇影射出集体记忆中的创伤经历,父辈们面对战争创伤后的失落与年轻人参战报国的狂热形成鲜明对比,作为妻子与母亲的奥拉承受着战争对两代人的"剥夺",家庭生活在战争的侵蚀下逐渐分崩离析。在战争的阴霾中,阿夫拉姆通过讲述的方式使自我的创伤经历被倾听者所见证,重构起与外部世界的联系,获得重新面对生活的勇气,而伊兰在逃避与忏悔的交替中不断审视与批判自我,以获得灵魂的救赎。在民族命运与个人情感的冲突中,以色列续写着"以撒献祭"的古老神话,而这古老神话的存在本身便是对民族文化创伤性体验的一种祭奠。民族交往过程中身份建构的尴尬消解着个体存在的意义,个体的生命自由在国家主义面前自觉处于失语状态,流露出个体的失落与无奈。《到大地尽头》题目本身暗示着一种宏大的叙事气魄,但作者却从小人物的生活入手,展现了战争给一个普通以色列家庭所带来的无法承受的创伤之痛,揭示出被战争压抑下的个体生存状态。从这一层面上看,大卫·格罗斯曼的《到大地尽头》远远超越了反战的单纯层面,更体现出在战争创伤背景下个人主体意识对国家主义的质疑与反叛,彰显出对国家、民族、战争背后个体生命自由与权利的诘问与反思。
[Abstract]:David Grossman is one of the most important writers in contemporary Israel. Starting from the standpoint of women, the narrative perspective is constantly changing between the past and the present, showing the repressed living state of an ordinary Israeli family under the shadow of war trauma, implying the worrying fate of contemporary Israelis. The sons and daughters of Israel went on and on in the discipline of nationalism, and the endless war left untold wounds. This paper attempts to interpret the theme of war trauma from three aspects: wound presentation, wound repair and trauma reflection. The experiences of the individuals under the shadow of war trauma insinuate the traumatic experiences in the collective memory. The loss of their fathers in the aftermath of the war is in sharp contrast to the enthusiasm of young people to go to war and serve their country. As a wife and mother, Orla suffered from the "deprivation" of two generations by the war, and the family life gradually disintegrated under the erosion of the war. In the haze of war, Abraham recounted the traumatic experience of his self to be witnessed by the listener, reconnected with the outside world, and gained the courage to face life again. In the alternation of escape and repentance, Yilan constantly examines and criticizes himself in order to obtain the salvation of the soul. In the conflict between national destiny and personal emotion, Israel continues to write the ancient myth of "Isaac sacrifice", and the existence of this ancient myth itself is a memorial to the traumatic experience of national culture. The embarrassment of identity construction in the process of national communication dispels the significance of individual existence, and the individual's freedom of life is in a state of aphasia in front of nationalism. The title itself implies a grand narrative spirit, but the author begins with the life of the little man. It shows the unbearable trauma caused by the war to an ordinary Israeli family, and reveals the state of individual existence repressed by the war. From this perspective, David Grossman's "to the end of the Earth" goes far beyond the pure level of anti-war, and reflects the challenge and rebellion of the individual's subjective consciousness to nationalism in the context of the war trauma, and also shows the challenge to the country and the nation. The question and reflection of individual life freedom and right behind the war.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I382.074
本文编号：2297742
[Abstract]:David Grossman is one of the most important writers in contemporary Israel. Starting from the standpoint of women, the narrative perspective is constantly changing between the past and the present, showing the repressed living state of an ordinary Israeli family under the shadow of war trauma, implying the worrying fate of contemporary Israelis. The sons and daughters of Israel went on and on in the discipline of nationalism, and the endless war left untold wounds. This paper attempts to interpret the theme of war trauma from three aspects: wound presentation, wound repair and trauma reflection. The experiences of the individuals under the shadow of war trauma insinuate the traumatic experiences in the collective memory. The loss of their fathers in the aftermath of the war is in sharp contrast to the enthusiasm of young people to go to war and serve their country. As a wife and mother, Orla suffered from the "deprivation" of two generations by the war, and the family life gradually disintegrated under the erosion of the war. In the haze of war, Abraham recounted the traumatic experience of his self to be witnessed by the listener, reconnected with the outside world, and gained the courage to face life again. In the alternation of escape and repentance, Yilan constantly examines and criticizes himself in order to obtain the salvation of the soul. In the conflict between national destiny and personal emotion, Israel continues to write the ancient myth of "Isaac sacrifice", and the existence of this ancient myth itself is a memorial to the traumatic experience of national culture. The embarrassment of identity construction in the process of national communication dispels the significance of individual existence, and the individual's freedom of life is in a state of aphasia in front of nationalism. The title itself implies a grand narrative spirit, but the author begins with the life of the little man. It shows the unbearable trauma caused by the war to an ordinary Israeli family, and reveals the state of individual existence repressed by the war. From this perspective, David Grossman's "to the end of the Earth" goes far beyond the pure level of anti-war, and reflects the challenge and rebellion of the individual's subjective consciousness to nationalism in the context of the war trauma, and also shows the challenge to the country and the nation. The question and reflection of individual life freedom and right behind the war.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I382.074
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