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《徒然草》中的围棋观及其历史过渡性

发布时间:2018-11-24 12:54
【摘要】:《徒然草》是日本遁世文学的代表作品,因此其围棋观也就带上了作者吉田兼好的遁世观的色彩,兼好从围棋中领悟到了自己的人生哲理,对于当时民间的围棋状况也做了一些描绘,并且试图利用佛教去进行引导民间的下棋方式和下棋理念。而由于兼好所处时代本身具有过渡性,加上兼好的下层贵族和行脚僧的身份,使得其围棋观也具有了过渡性,这种"过渡性"在日本围棋文化史上具有独特的意义。
[Abstract]:"in vain" is the representative work of Japanese recluse literature, so its go view also takes on the color of author Yoshida's good recluse view, and also understands his own life philosophy from go. At that time, the folk go situation was also described, and tried to use Buddhism to guide folk chess play and the concept of chess. Due to the transitional nature of the era and the identity of the lower aristocrats and monks, the concept of go also has a transitional nature, which has a unique significance in the history of Japanese go culture.
【作者单位】: 湘潭大学文学与新闻学院;
【基金】:国家十三五重点出版物规划项目《世界围棋通史》阶段性成果,主持人何云波,项目实施单位:湘潭大学出版社 2017湖南省研究生科研创新项目阶段性成果(项目编号:CX2017B324)
【分类号】:I313.076


本文编号:2353789

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