身份越境与自我重构──论林芙美子文学中的女性形象谱系
发布时间：2019-02-09 14:15
【摘要】：林芙美子因女性书写而知名,但其笔下的女性形象并不符合近代日本“贤妻良母”的文化规约。本文以女性主义批评理论为阐释框架,以《放浪记》《河沙鱼》《晚菊》三部作品为研究对象,梳理出林芙美子小说中的女性形象谱系及其内在的关联性,分析“芙美子”“千惠子”“阿欣”这三位女性是如何凭借身体表象僭越男权规约并重构自我的。通过考察三位女性对男权秩序的身份越境,指出了林芙美子女性形象谱系书写的历史价值和现实意义。
[Abstract]:Miko Lin is famous for her female writing, but her female image does not conform to the cultural rules of "good wife and good mother" in modern Japan. This paper takes feminist criticism theory as the frame of interpretation, takes three works of "the Seal Fish" and "the late Chrysanthemum" as the research object, and combs out the genealogy of female image and its internal relation in Lin Fu Mei Zi's novels. This paper analyzes how the three women, Fumiko, Qianhuizi and Axin, use their body appearance to overstep the male-dominated rules and reconstruct themselves. Based on the investigation of the three women's status crossing over the patriarchal order, this paper points out the historical value and practical significance of writing the female image pedigree of Lin Fu Mei Zi.
【作者单位】： 上海理工大学外语学院;四川外国语大学日语系;
【分类号】：I313.074
[Abstract]:Miko Lin is famous for her female writing, but her female image does not conform to the cultural rules of "good wife and good mother" in modern Japan. This paper takes feminist criticism theory as the frame of interpretation, takes three works of "the Seal Fish" and "the late Chrysanthemum" as the research object, and combs out the genealogy of female image and its internal relation in Lin Fu Mei Zi's novels. This paper analyzes how the three women, Fumiko, Qianhuizi and Axin, use their body appearance to overstep the male-dominated rules and reconstruct themselves. Based on the investigation of the three women's status crossing over the patriarchal order, this paper points out the historical value and practical significance of writing the female image pedigree of Lin Fu Mei Zi.
【作者单位】： 上海理工大学外语学院;四川外国语大学日语系;
【分类号】：I313.074
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