从《大金梦》探析海姆斯笔下的新哥特叙事

发布时间：2019-03-31 09:05

【摘要】：在《大金梦》里,海姆斯从新哥特场景的戏仿、悬念与新哥特迷惘氛围的营造、反讽与新哥特心理氛围的生成三个方面建构起新哥特叙事,揭示了新哥特语境中人性之恶的叙事表征。他用新哥特式笔触展现人类生存的焦虑,勾画出一种人类反启示录式的黑暗想象,显示了人在危机中的创伤感、惊恐感、焦虑感以及对美好生活的渴望感。海姆斯把传统哥特元素与美国现实社会的文化语境有机地结合起来,使读者在阅读中品味人性之恶,然后从人性之恶的恐怖感知中净化自己的灵魂,达到一种心灵顿悟的“崇高”。
[Abstract]:In the Great Golden Dream, Hames constructs the New Gothic narrative from three aspects: parody of New Gothic scene, creation of suspense and New Gothic lost atmosphere, irony and the formation of New Gothic Psychological atmosphere, and he constructs New Gothic narrative from three aspects: parody of New Gothic scene, creation of suspense and New Gothic lost atmosphere, It reveals the narrative representation of the evil of human nature in the New Gothic context. He uses a new Gothic pen to show the anxiety of human survival, drawing a dark imagination of human anti-apocalypse, showing the sense of creation, horror, anxiety and desire for a better life in a crisis. Hames organically combines the traditional Gothic elements with the cultural context of American reality, so that the reader can savor the evil of human nature in reading, and then purify his soul from the horror perception of the evil of human nature. To achieve a spiritual epiphany of "sublime".
【作者单位】：上海大学外国语学院;
【分类号】：I712.054

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