莎士比亚《考利欧雷诺斯》中的共同体与世界观念

发布时间：2019-06-15 12:55

【摘要】：莎士比亚《考利欧雷诺斯》改编自普鲁塔克笔下一段罗马共和政体形成初期的历史故事。主人公马尔舍斯对语言和意义"确定性"的追寻,使其遭遇自我放逐的命运。马尔舍斯的困境注解欧洲迈进现代门槛时极端的断裂经验。正是马尔舍斯孜孜以求的个体"确定性",把作为罗马共同体一员的自我反弹到"另一世界",并使其没有可能在自己"内部"生存。马尔舍斯的旅行轨迹暗隐着近代欧洲"知识型"的转换印迹。地理大发现为欧洲资产阶级登上"环球剧场"并确立"表象秩序"提供历史动力。全球化进程的开启,使世界变得多元而流动,"环球剧场"中的马尔舍斯却执迷于意义的起源神话。莎士比亚以反讽的方式质疑他所处时代的知识体系。
[Abstract]:Shakespeare's Corrio Renos is adapted from a historical story written by Prutak in the early days of the formation of the Roman Republican regime. Marshes, the protagonist, pursues the certainty of language and meaning, which makes him encounter the fate of self-banishment. Marshes' dilemma illustrates the extreme fracture experience of Europe as it moves towards the modern threshold. It is the individual "certainty" that Marshes strives for, rebounding his self as a member of the Roman Community to "another world" and making it impossible for him to survive within himself. Marshes' travel track conceals the transformation imprint of "knowledge" in modern Europe. The great discovery of geography provides a historical motive force for the European bourgeoisie to board the Universal Theater and establish the appearance order. With the opening of the process of globalization, the world has become pluralistic and flowing, while Marshes in the Theater of the World is obsessed with the myth of the origin of meaning. Shakespeare questioned the knowledge system of his time in an ironic way.
【作者单位】：福建师范大学文学院、福建省社会科学研究基地中华文学传承发展研究中心;
【基金】：2015年度国家社科基金项目“地理大发现时代欧洲游记中的亚洲形象研究”(批准号:15B WW011)成果
【分类号】：I561.073

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