淡莹诗中的文学地景与身体书写
发布时间：2019-07-20 11:36
【摘要】：以景作结是淡莹诗作的一大特点,本论文尝试从身体书写的角度深入探讨淡莹《太极诗谱》、《发上岁月》两本诗集中诗作的文学地景。以法国知觉现象学家梅洛庞蒂对身体在艺术创作以及主体意识的阐述作为理论基础,突出淡莹近乎"直观"的创作特点,并联系身体书写、文学地景、主体性的探寻等三个讨论母题,深究诗人如何在诗作中以文字意象拆解自我形象,重新思考"物-我"关系,使诗作成为重构主体性的身体书写,诗人得以在创作中缓和面对时空变换的焦虑。
[Abstract]:Ending with scenery is one of the main characteristics of light poetry. This paper attempts to explore the literary landscape of the poems in the two collections of poetry from the point of view of body writing. Based on the exposition of the body in artistic creation and subject consciousness by Melo Ponty, a French perceptual phenomenologist, this paper highlights the characteristics of light and almost "intuitionistic" creation, and discusses the motif of body writing, literary scene and the exploration of subjectivity, and deeply probes into how poets disassemble their own image with text image in their poems, rethink the relationship between "object and self", and make the poetry become the body writing which reconstructs the subjectivity. The poet was able to ease the anxiety of facing the change of time and space in his creation.
【分类号】：I339.072
[Abstract]:Ending with scenery is one of the main characteristics of light poetry. This paper attempts to explore the literary landscape of the poems in the two collections of poetry from the point of view of body writing. Based on the exposition of the body in artistic creation and subject consciousness by Melo Ponty, a French perceptual phenomenologist, this paper highlights the characteristics of light and almost "intuitionistic" creation, and discusses the motif of body writing, literary scene and the exploration of subjectivity, and deeply probes into how poets disassemble their own image with text image in their poems, rethink the relationship between "object and self", and make the poetry become the body writing which reconstructs the subjectivity. The poet was able to ease the anxiety of facing the change of time and space in his creation.
【分类号】：I339.072
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