论伊什梅尔·里德后现代主义小说戏仿艺术
发布时间：2021-03-03 16:26
伊什梅尔·里德是美国最有才华、最有争议的后现代派作家之一,也是继拉尔夫·埃利森以来最受评论界关注的非裔美国男作家。褒扬者赞他是继马克·吐温之后美国文坛出现的最优秀的讽刺大师,是多元文化主义的积极倡导者:苛评者则给他贴过扑朔迷离的标签——“保守派、激进分子、黑人民族主义者、性别歧视者……自命不凡的狂人"等不一而足。的确,“后现代”、“有争议”、和“非洲裔”这些符号本身,足以说明伊什梅尔·里德小说研究所蕴涵的挑战与意义。伊什梅尔·里德以“新伏都教美学”思想挑战西方文明的“元叙事”,解构他称为“阿托恩主义”的形形色色的专制和总体化的势力。里德的小说始终以破除美国政治、文化和美学层面各种“阿托恩主义”的迷思为主旨,力图消除单一文化主义对人类心灵的侵淫。然而,里德提倡一种融合、开放的文化,其创作思想的核心是多元文化主义。因此,尽管里德坚持非裔文化传统——他的创作源泉来自亚文化的“伏都教”,他反对将该传统进行本质主义的界定。早在黑人民族主义盛行的年代,里德就以塑造正反不一的黑人人物形象、审视“黑人性”所蕴涵的黑人主体和黑人经验的异质性而大胆颠覆黑人本质主义及其文化再现方式。同样,里德宁愿犯“政治正...
【文章来源】：厦门大学福建省 211工程院校 985工程院校 教育部直属院校
【文章页数】：215 页
【学位级别】：博士
【文章目录】：
Abstract
摘要
List of Abbreviation
On Ishmael Reed's Postmoderuist Art of Parody
Introduction
A.Ishmael Reed and the Literary Tokenism
B.Ishmael Reed and His Works
C.Ishmael Reed and His Critics
D.The Reed Study in China and the Framework of the Present Study
Chapter 1 Satire's Edge:Ishmael Reed and the Postmodernist Parody
A.Postmodernist Parody as Pastiche-Reedian Parody in Fredric Jameson's Model
1.Pastiche,Schizophrenia and the Loss of Historicity
2.Simulacra,Historical Fiction and Crisis in Historicity
3.Reification,Bricolage,and the Random Play of Signifiers
4.Pastiche and Textual Play in Ishmael Reed's Fiction
B.Postmodernist Parody as "Double-Coded" Paradox-Reedian Parody in Linda Hutcheon's Model
1.A Poetics of Paradox and the Representation of History
2.Historiographic Metafiction and the Problematization of History
3.Postmodernist Parody and Its Double-Coded Politics
4.Parody and Cultural Critique in Ishmael Reed's Fiction
C.Towards a Pluralizing Interpretation of Postmodernist Parody
Chapter 2 The Black Cowboy in the Marlboro World:Ishmael Reed's Parody of the American Western
A.Generic Conventions of the American Western
B.Parodic Transgressions in Yellow Back Radio Broke-Down
1.Narrative Innovation and Cultural Rewriting
2.The Apocryphal History and the Triumph of Voodoo
Chapter 3 The Voodoo Houngan on the Case:Ishmael Reed's Parody of the Detective Fiction
A.Detective Fiction and Its Generic Conventions
B.Detective Fiction and the Postmodernist Proliferation of the Anti-Detective Fiction
C.Detective Fiction and Its Revision by the African American Novelists
D.Mumbo Jumbo as a Text of Black Anti-Detective Fiction
1.The Elusive Mystery,the Missing Text and the Cultural Connotation of the Crime
2.The HooDoo Trickster Detective Persona and His Metaphysical Detection of History
3.The "Amphibious" Text and the "Game" of Decoding
Chapter 4 The Black Raven in the South:Reed's Revision of the Slave Narrative
A.The Slave Narrative and Its Paradigmatic Gestures
B.The Slave narrative and Its Contemporary Revision—the Neo-Slave Narrative
C.Flight to Canada and Its Revision of the Slave Narrative
1.Parodic Revision and Reed's Rewriting of Anti-Bellum History
2.Character Reversal and Reed's Reexamination of the Dynamics of Slavery and Freedom
3.Ex-literary References and Reed's Critique of Cultural Misappropriation
Chapter 5 The Black Junior Professor Amidst the Cultural Wars:Ishmael Reed's Parody of the Academic Fiction
A.Academic Fiction and Its Satire of the Ivory Tower
B.The Multicultural Movement and the American Cultural Wars
C.Japanese by Spring and the American Cultural Wars
1.Jack London College and the Malaise of Multiculturalism
2.Cipher Characters and the Monocultural Factions in Jack London College
3.Jazz Inspired Plot Improvisation and Reeds' Critique of Monoculturalism
4.The Authorial Intrusion and Reeds' Vision of Multiculturalism
Conclusion
Works Cited
Index
Acknowledgements
【参考文献】：
期刊论文
[1]Black Atlantic or Black Athena?Black Atlantic or Black Athena?——Neo-slave Narratives in Contemporary Fiction[J]. Judie Newman. 外国文学研究. 2005(01)
本文编号：3061567
【文章来源】：厦门大学福建省 211工程院校 985工程院校 教育部直属院校
【文章页数】：215 页
【学位级别】：博士
【文章目录】：
Abstract
摘要
List of Abbreviation
On Ishmael Reed's Postmoderuist Art of Parody
Introduction
A.Ishmael Reed and the Literary Tokenism
B.Ishmael Reed and His Works
C.Ishmael Reed and His Critics
D.The Reed Study in China and the Framework of the Present Study
Chapter 1 Satire's Edge:Ishmael Reed and the Postmodernist Parody
A.Postmodernist Parody as Pastiche-Reedian Parody in Fredric Jameson's Model
1.Pastiche,Schizophrenia and the Loss of Historicity
2.Simulacra,Historical Fiction and Crisis in Historicity
3.Reification,Bricolage,and the Random Play of Signifiers
4.Pastiche and Textual Play in Ishmael Reed's Fiction
B.Postmodernist Parody as "Double-Coded" Paradox-Reedian Parody in Linda Hutcheon's Model
1.A Poetics of Paradox and the Representation of History
2.Historiographic Metafiction and the Problematization of History
3.Postmodernist Parody and Its Double-Coded Politics
4.Parody and Cultural Critique in Ishmael Reed's Fiction
C.Towards a Pluralizing Interpretation of Postmodernist Parody
Chapter 2 The Black Cowboy in the Marlboro World:Ishmael Reed's Parody of the American Western
A.Generic Conventions of the American Western
B.Parodic Transgressions in Yellow Back Radio Broke-Down
1.Narrative Innovation and Cultural Rewriting
2.The Apocryphal History and the Triumph of Voodoo
Chapter 3 The Voodoo Houngan on the Case:Ishmael Reed's Parody of the Detective Fiction
A.Detective Fiction and Its Generic Conventions
B.Detective Fiction and the Postmodernist Proliferation of the Anti-Detective Fiction
C.Detective Fiction and Its Revision by the African American Novelists
D.Mumbo Jumbo as a Text of Black Anti-Detective Fiction
1.The Elusive Mystery,the Missing Text and the Cultural Connotation of the Crime
2.The HooDoo Trickster Detective Persona and His Metaphysical Detection of History
3.The "Amphibious" Text and the "Game" of Decoding
Chapter 4 The Black Raven in the South:Reed's Revision of the Slave Narrative
A.The Slave Narrative and Its Paradigmatic Gestures
B.The Slave narrative and Its Contemporary Revision—the Neo-Slave Narrative
C.Flight to Canada and Its Revision of the Slave Narrative
1.Parodic Revision and Reed's Rewriting of Anti-Bellum History
2.Character Reversal and Reed's Reexamination of the Dynamics of Slavery and Freedom
3.Ex-literary References and Reed's Critique of Cultural Misappropriation
Chapter 5 The Black Junior Professor Amidst the Cultural Wars:Ishmael Reed's Parody of the Academic Fiction
A.Academic Fiction and Its Satire of the Ivory Tower
B.The Multicultural Movement and the American Cultural Wars
C.Japanese by Spring and the American Cultural Wars
1.Jack London College and the Malaise of Multiculturalism
2.Cipher Characters and the Monocultural Factions in Jack London College
3.Jazz Inspired Plot Improvisation and Reeds' Critique of Monoculturalism
4.The Authorial Intrusion and Reeds' Vision of Multiculturalism
Conclusion
Works Cited
Index
Acknowledgements
【参考文献】：
期刊论文
[1]Black Atlantic or Black Athena?Black Atlantic or Black Athena?——Neo-slave Narratives in Contemporary Fiction[J]. Judie Newman. 外国文学研究. 2005(01)
本文编号：3061567
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