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文学地理学视域下《推销员之死》中景观表征的悲剧内涵

发布时间:2021-08-17 01:12
  阿瑟·米勒作为20世纪蜚声剧坛的戏剧大师,在当代美国戏剧界执牛耳长达数年,其作品大多关注战后美国资本主义发展带来的诸多社会问题。《推销员之死》是米勒最著名的悲剧作品,也是战后美国剧坛的扛鼎之作。在创作《推销员之死》时,正值资本主义景观社会的发展时期,米勒聚焦被城市景观所包围的普通群众的生存发展问题,巧妙地将戏剧中主人公威利·洛曼一家的悲剧性命运与景观的在场直接联系起来。景观不仅是戏剧发生的几何空间,还是戏剧主题的重要表征媒介。《推销员之死》是一部由景观引发的故事,威利·洛曼一家的一生都与其所在区域的棱角分明的公寓景观、一维封闭的房屋景观以及寸草不生的后花园景观有着紧密的联系。鉴于此,本文聚焦戏剧中的三大景观,运用文学地理学理论,通过分析景观作为当代资本主义生产方式的视觉映像对社群关系、家庭关系以及人与自然关系所建构的在场性影响与意义,揭示戏剧中景观的悲剧内涵,从而阐释洛曼一家生存困境的深层机理,以期引发人们对当今景观社会的重要思考。论文主要包括引言、正文和结论三个部分。引言部分讨论了文学地理学的发展机遇;剖析了米勒对当代城市景观与人的生存关系的极大关注,以及《推销员之死》的创作背景和主... 

【文章来源】:浙江师范大学浙江省

【文章页数】:98 页

【学位级别】:硕士

【文章目录】:
ACKNOWLEDGEMENTS
ABSTRACT
摘要
Introduction
Chapter One Literature Review
    1.1 Research on Death of a Salesman
        1.1.1 Research Abroad
        1.1.2 Research at Home
        1.1.3 Significance of This Thesis
    1.2 Relevant Theories on Literary Geography
Chapter Two Tragic Connotations Represented by the Angular-shaped Apartment
    2.1 Unreal Living State of Loman Willy
        2.1.1 Desperate Striving for Material Consumption
        2.1.2 Outdated Occupational Principle of "Personality Wins the Day"
    2.2 The Materialized Social Relationship
        2.2.1 The Materialized Employment Relationship between Willy and Howard
        2.2.2 The Materialized Peer Relationship between Biff and Bernard
Chapter Three Tragic Connotations of the One-dimensional Enclosed House
    3.1 Distorted Personality and Perception of the Lomans
        3.1.1 Twisting of the Lomans' Personality
        3.1.2 Deprivation of the Lomans' Place-sense
    3.2 The Alienated Family Relationship
        3.2.1 The Dysfunctional Husband-wife Relationship
        3.2.2 The Strained Father-son Relationship
Chapter Four Tragic Connotations of the Barren Backyard Garden
    4.1 Absolute Worship of Commerce and Building Industry
        4.1.1 Immersion in Business World
        4.1.2 Addiction to House Construction
    4.2 The Reductionist Man-nature Relationship
        4.2.1 The Poor Environment around the Neighborhood
        4.2.2 The Barrenness of the Lomans' Backyard Garden
Conclusion
Works Cited
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