真实性的媒介化生成:近代中国都市现代性中的图像实践——以报刊新闻摄影为中心

发布时间：2018-06-05 04:25

本文选题：新闻真实性 + 媒介实践　；参考：《学术研究》2017年06期

【摘要】：新闻摄影与绘画、报刊在近代中国都市中演化出复杂的叠加与重组关系。新闻真实性的媒介化生成,展示了不同媒介对人们与外部世界关系的重新组织。晚清画报上的新闻画带来了写真相较于写意在文化合法性等级序列中的抬头;新闻摄影延续了这种面向现实的写实主义,并以机械成像的方式提供了一种新的看世界的方式,外部世界以透明化方式获得了新的权威;以摄影机械为支撑的新闻真实性,重塑了新闻画中存留着的书画同源、志奇志怪等再现风格和叙事传统,由此成为人们调整自身主观感受、面向现实想象、建构交往关系的内在理据。这一历史进程与近代中国都市现代性行程互相嵌入,二者也都在新媒介政治中围绕"真实"的定义历经了剧烈的权力冲突。
[Abstract]:News photography and painting, newspapers and periodicals in modern Chinese cities evolved a complex superposition and reorganization. The media formation of news authenticity shows the reorganization of the relationship between people and the outside world by different media. In the late Qing Dynasty, the news pictures in the pictorial papers brought about the rise of photo-painting compared with freehand brushwork in the hierarchy of cultural legitimacy. News photography continued this realistic realism and provided a new way of seeing the world in the form of mechanical imaging. The external world has gained new authority in a transparent way, and the authenticity of news supported by photographic machinery has reshaped the reproducing styles and narrative traditions of the same source of calligraphy and painting, such as Zhi Qizhi, and so on. Therefore, it becomes the internal motivation for people to adjust their subjective feelings, to face the realistic imagination and to construct the communicative relationship. This historical process and modern Chinese urban modernity are embedded in each other, and both of them have experienced violent power conflicts around the definition of "reality" in the new media politics.
【作者单位】：上海政法学院文学与传媒学院;
【分类号】：J419.1

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