叙事学视野下同题材电视真人秀节目研究
发布时间：2018-08-03 09:19
【摘要】：真人秀节目入主国内荧屏不断走红,为国内电视综艺节目的制作带来无限生机与可能,平民选秀是最早走入大众视野的真人秀节目类型与模式,从次便一发不可收拾,让每个人都有成为舞台最闪亮的那颗星的可能。到亲子类真人秀节目《爸爸去哪儿》的出现,打破传统节目演播厅的节目录制模式;户外真人秀节目的不可预知性,跌宕起伏的剧情构建,冲突与悬念不断成为了各大卫视的宠儿。面对每年上百档的真人秀节目独霸荧屏,如此繁华的景象背后隐藏很多值得我们深思的地方,为什么对于电视一线制作者而言:节目越做越少,同质化节目层出不穷,国内电视节目制作陷入内容单一形态趋同的困境。透过现象看本质,方法论是解决问题的关键——叙事学。后经典叙事学聚焦点的转变和真人秀节目独特的叙事魅力不谋而合,为真人秀节目同质化的差异竞争提供了坚实的理论基础。
[Abstract]:Reality TV shows are becoming popular on domestic screens, bringing infinite vitality and possibility to the production of domestic TV variety shows. Civilian talent shows are the first type and mode of reality shows to enter the public's field of vision. From then on, they are out of control. It is possible for everyone to be the brightest star on stage. To the appearance of the parent-child reality show "where is Dad going?" to break the traditional program recording mode in the studio; the unpredictable nature of outdoor reality shows; and the plot construction of ups and downs. Conflict and suspense have become the pet of every big satellite TV. In the face of the hundreds of reality TV shows that dominate the screen every year, behind such a bustling scene, there are many places for us to ponder. Why is it that as far as the television front-line producers are concerned, the more programs they do, the more homogenous programs emerge in endlessly? The domestic TV program production falls into the dilemma of the single form of convergence of content. From the perspective of phenomena, methodology is the key to solving problems-narratology. The change of the focus of post-classical narratology coincides with the unique narrative charm of reality TV, which provides a solid theoretical basis for the homogeneous competition of reality shows.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：G222
，
本文编号：2161296
[Abstract]:Reality TV shows are becoming popular on domestic screens, bringing infinite vitality and possibility to the production of domestic TV variety shows. Civilian talent shows are the first type and mode of reality shows to enter the public's field of vision. From then on, they are out of control. It is possible for everyone to be the brightest star on stage. To the appearance of the parent-child reality show "where is Dad going?" to break the traditional program recording mode in the studio; the unpredictable nature of outdoor reality shows; and the plot construction of ups and downs. Conflict and suspense have become the pet of every big satellite TV. In the face of the hundreds of reality TV shows that dominate the screen every year, behind such a bustling scene, there are many places for us to ponder. Why is it that as far as the television front-line producers are concerned, the more programs they do, the more homogenous programs emerge in endlessly? The domestic TV program production falls into the dilemma of the single form of convergence of content. From the perspective of phenomena, methodology is the key to solving problems-narratology. The change of the focus of post-classical narratology coincides with the unique narrative charm of reality TV, which provides a solid theoretical basis for the homogeneous competition of reality shows.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：G222
，
本文编号：2161296
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