作为“创伤女性”意象的地母与河母——以严歌苓和虹影为中心

发布时间：2018-01-25 06:13

  本文关键词： “创伤女性” 地母 河母 藏污纳垢 变　出处：《福建师范大学学报(哲学社会科学版)》2015年05期 　论文类型：期刊论文

【摘要】：创伤是文学重要的母题之一。在女性作家书写"创伤女性"的文本中,双重女性视角的叠加令"创伤女性"形象的内蕴更为复杂多义。在国内既有的地母传统的基础上,本文通过文本细读,分析了以严歌苓作品为代表的地母意象,并对比发掘出与之呼应的以虹影作品为代表的河母意象。地母与河母意象同中有异:皆以"藏污纳垢"为特点,通过痛苦的历练达到女性的自我认同;然二者在求"变"与否的问题上呈现分歧,河母多变而地母恒常,她们于自我反顾的共同旨归中表现出不同的思想倾向。
[Abstract]:Trauma is one of the most important motifs in literature. The superposition of the double female perspective makes the image of "traumatized woman" more complex and polysemous. On the basis of the traditional ground mother in China, this paper analyzes the image of the mother of the earth, which is represented by Yan Geling's works through careful reading of the text. The author also finds out the image of river mother represented by Hongying's works. There are differences in the images of the earth mother and the river mother: they are all characterized by "dirt and dirt", and through painful experience, they reach the self-identity of women; However, they are different on the question of "change" or not, the river mother is changeable and the earth mother is constant, they show different thought tendency in the common purport of self-defense.
【作者单位】： 福建师范大学外国语学院;
【分类号】：I106-03
【正文快照】： 一、文学中的创伤与女性西门·克里奇从词源学的意义上把“创伤”界定为“伤痛的感觉”1。尚·拉普朗什(JeanLaplanche)与彭塔力斯(J.B.Pontalis)在《精神分析词汇》(The Language of Psycho-analysis)中指出,西方的“创伤”(trauma)一词来自希腊语的“损伤”(τραs应驭苔，

本文编号：1462217