普拉斯诗歌意象研究

发布时间：2018-03-16 08:50

本文选题：普拉斯　切入点：镜子意象　出处：《浙江大学》2013年博士论文　论文类型：学位论文

【摘要】：西尔维娅·普拉斯是美国自白派诗歌的重要代表,她以极富感染力的“意象”给诗歌王国添上了浓墨重彩的一笔。本文拟从意象角度切入,以普拉斯的诗歌文本为主要研究对象,立足性别视角,运用生态批评、心理分析等研究方法,重点考察审美主体投注于意象符号之中的审美体验,在此基础上呈现普拉斯诗歌中意象符号在思想内涵和艺术形式方面的审美价值。本论文共由六个部分组成：第一章绪论部分主要交代论文的选题动机、研究对象,梳理与本课题相关的国内外研究成果,阐明本论文的基本目标和研究路径。第二章首先通过对意象概念的梳理,指出自白派诗歌与意象派诗歌之间的关联；接着从具体的诗歌文本入手,论证自白派诗人对诗歌“意象”的热衷以及自白派诗歌对意象派诗歌格律和音乐性的淡漠；最后,论述自白派诗歌对诗歌“意象”的贡献及对诗歌形式发展的贡献。第三章论述普拉斯诗歌中“镜子”意象与女性存在之思的审美融合。根据拉康的理论,“镜子”意象从根本上来说是对个体存在状态的投射。普拉斯笔下的镜意象一方面映射了抒情主人公对生命个体的存在之思,在“揽镜自观”的同时,诗人完成了抒情主体对女性身份及主体人格的自我认定；另一方面,诗人在关注“小我”的同时,更多地将目光投射在社会这面大镜子上,积极地参与到社会政治事务中去,表达自己对人类社会的关切。第四章探讨的是普拉斯诗歌中的“色彩”意象的审美特质。普拉斯对色彩有着天生的敏感,她深谙绘画艺术对色彩的使用技巧,并将这种领悟运用到诗歌创作中表达其独特的生命体验。无论是代表生命之维的“红”,还是象征死亡之隅的“黑”,抑或是幻化虚无的“白”,都表达了诗人独特的内心体验。第五章阐释普拉斯诗歌中的自然意象。分别从“海洋意象”、“动物意象”、“植物意象”三个方面探讨普拉斯诗歌中的人与自然的关系,以及这些自然意象所折射出的诗人的生态之思。第六章结语部分在总结上文研究的基础上,认为：首先,普拉斯从英语诗歌传统中继承了“意象”这一诗歌创作的核心元素,并在自己的创作实践中发展了“意象”的内涵,丰富了英语诗歌的形式；其次,普拉斯在“揽镜自观”的过程中,关注的不仅仅是个体的生命体验,更多的是对社会的、对全人类的关切。
[Abstract]:Sylvia Plath is an important representative of American confessional poetry, and she adds a lot of color to the poetry kingdom with her infectious "image." this article is going to look at it from the perspective of imagery. Taking Plath's poetry text as the main research object, based on the gender perspective, using ecological criticism, psychoanalysis and other research methods, this paper focuses on the aesthetic experience in which the aesthetic subject is betting on the image symbol. On this basis, it presents the aesthetic value of image symbols in Plath's poetry in the aspects of ideological connotation and artistic form. This thesis consists of six parts:. The first chapter introduces the motivation of the topic, the research object, combs the domestic and foreign research results related to this topic, and clarifies the basic goal and research path of this paper. The second chapter first points out the relationship between confessional poetry and imagist poetry by combing the concept of image, and then starts with the specific text of poetry. Finally, it discusses the contribution of confessional poetry to the poetry "image" and its contribution to the development of poetry form, and demonstrates the enthusiasm of confessional poets for poetry "image" and the indifference of confessional poetry to the rhythm and musicality of imagist poetry, and finally, discusses the contribution of confessional poetry to poetry "image" and to the development of poetry form. The third chapter discusses the aesthetic fusion of the image of "mirror" and the thought of female being in Plath's poetry. According to Lacan's theory, the image of "mirror" is fundamentally the projection of the state of individual being. On the one hand, it reflects the thinking of the lyric protagonist about the existence of the living individual. At the same time, the poet has completed the self-recognition of the female identity and personality of the lyric subject. On the other hand, the poet pays more attention to the "ego" and more eyes are cast on the big mirror of the society. Actively participate in social and political affairs to express their concern for human society. Chapter 4th explores the aesthetic characteristics of the "color" image in Plath's poetry. Plath is naturally sensitive to color, and she is well versed in the use of color in the art of painting. This kind of comprehension is applied to express its unique life experience in poetry creation. Whether it is "red" representing the dimension of life, "black" which symbolizes the corner of death, or "white" which is illusory, it all expresses the poet's unique inner experience. Chapter 5th explains the natural image in Plath's poetry. It discusses the relationship between man and nature in Plath's poetry from three aspects: "Sea image", "animal image" and "plant image". And the poet's ecological thoughts reflected by these natural images. The conclusion of the 6th chapter is based on the above research. Firstly, Plath inherits the core element of "image" from the tradition of English poetry, and develops the connotation of "image" in his own creative practice. It enriches the form of English poetry. Secondly, Plath pays more attention to not only the individual's life experience, but also the society and the whole mankind.
【学位授予单位】：浙江大学
【学位级别】：博士
【学位授予年份】：2013
【分类号】：I712.072

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