从隔离走向融合—原型视角下谭恩美的《通灵女孩》研究
发布时间：2018-10-23 16:42
【摘要】：作为当代著名华裔美国作家,谭恩美的作品数次登上畅销书排行榜,以其为数不多的作品震撼了世界文坛。她作品中所体现出的东西文化冲突、母女冲突、主人公的情感困惑等主题吸引着全世界的大批读者。除了以上主题,她的作品中还贯穿着神秘的东方形象、转世轮回及鬼魂形象,在她的前两部作品《喜福会》和《灶君之妻》都有所体现,在其第三部作品《通灵女孩》中更是表现得淋漓尽致。然而评论界对书中扑朔迷离的故事情节褒贬不一,争论的焦点在于小说中所涉及的鬼魂和迷信现象。 本文将针对争论的焦点,依据原型批评理论从人物和主题两个方面对《通灵女孩》中的原型进行全面分析,旨在挖掘人类爱的集体无意识。 本文由引言、正文和结论三部分组成。引言部分对谭恩美及其作品《通灵女孩》进行了简要介绍,接着概要回顾了学术界对《通灵女孩》所做的相关研究,最后对原型批评理论的起源和发展做了大致介绍,分析了本文的研究角度和结构安排。 正文部分主要分为三个章节：第一章对《通灵女孩》中的原型进行了分析,主要包括李宽的智慧老人原型；李彬彬的大地母亲原型,以及李宽的死亡所体现的替罪羊原型。第二章论述了两个神话主题：死亡—重生主题,以及替罪羊主题。第三章通过分析奥利维亚和李宽,以及奥利维亚和西蒙之间从隔离到融合的错综复杂的关系,挖掘作品中隐含的集体无意识—无穷无尽的爱。 最后一部分为论文的结论部分,论文作者在结论部分强调了谭恩美通过运用原型的意义,增强了《通灵女孩》的可读性及深刻性,并且挖掘出了人类不同种群所共有的集体无意识,强化了小说爱的主题。
[Abstract]:As a famous contemporary Chinese American writer, Amy Tan's works have been on the bestseller list several times and shocked the world with a few of her works. The conflicts between East and West cultures, Mother and daughter conflicts, protagonists' emotional puzzles and so on in her works attract a large number of readers all over the world. In addition to the above themes, there are also mysterious Oriental images, reincarnation and ghost images in her works, which are reflected in her first two works, "Joy Luck Club" and "the wife of the Zaojun". In his third work, the channeling Girl, it was even more incisive. However, critics are mixed about the mystery of the story in the book, the focus of the debate is the ghost and superstition involved in the novel. In this paper, according to the theory of archetypal criticism, the archetypes in channeling Girl are comprehensively analyzed in terms of characters and themes, in order to excavate the collective unconsciousness of human love. This paper consists of three parts: introduction, text and conclusion. In the introduction part, I briefly introduce Amy Tan and her work "the channeling Girl", and then review the relevant research done by the academic circles, and at last introduce the origin and development of the archetypal criticism theory. The research angle and structure arrangement of this paper are analyzed. The main body is divided into three chapters: the first chapter analyzes the archetypes in "channeling Girl", including Li Kuan's prototype of the wise elderly, Li Binbin's prototype of Mother Earth, and Li Kuan's death as the scapegoat prototype. Chapter two discusses two mythological themes: death-rebirth and scapegoat. The third chapter analyzes Olivia and Li Kuan, as well as the complicated relationship between Olivia and Simon from isolation to fusion, and explores the hidden collective unconsciousness-endless love in the works. The last part is the conclusion of the paper. In the conclusion part, the author emphasizes that Amy Tan enhances the readability and profundity of channeling Girl through the use of archetypes. It also excavates the collective unconscious shared by different species of human beings and strengthens the theme of love in novels.
【学位授予单位】：北京交通大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074
本文编号：2289860
[Abstract]:As a famous contemporary Chinese American writer, Amy Tan's works have been on the bestseller list several times and shocked the world with a few of her works. The conflicts between East and West cultures, Mother and daughter conflicts, protagonists' emotional puzzles and so on in her works attract a large number of readers all over the world. In addition to the above themes, there are also mysterious Oriental images, reincarnation and ghost images in her works, which are reflected in her first two works, "Joy Luck Club" and "the wife of the Zaojun". In his third work, the channeling Girl, it was even more incisive. However, critics are mixed about the mystery of the story in the book, the focus of the debate is the ghost and superstition involved in the novel. In this paper, according to the theory of archetypal criticism, the archetypes in channeling Girl are comprehensively analyzed in terms of characters and themes, in order to excavate the collective unconsciousness of human love. This paper consists of three parts: introduction, text and conclusion. In the introduction part, I briefly introduce Amy Tan and her work "the channeling Girl", and then review the relevant research done by the academic circles, and at last introduce the origin and development of the archetypal criticism theory. The research angle and structure arrangement of this paper are analyzed. The main body is divided into three chapters: the first chapter analyzes the archetypes in "channeling Girl", including Li Kuan's prototype of the wise elderly, Li Binbin's prototype of Mother Earth, and Li Kuan's death as the scapegoat prototype. Chapter two discusses two mythological themes: death-rebirth and scapegoat. The third chapter analyzes Olivia and Li Kuan, as well as the complicated relationship between Olivia and Simon from isolation to fusion, and explores the hidden collective unconsciousness-endless love in the works. The last part is the conclusion of the paper. In the conclusion part, the author emphasizes that Amy Tan enhances the readability and profundity of channeling Girl through the use of archetypes. It also excavates the collective unconscious shared by different species of human beings and strengthens the theme of love in novels.
【学位授予单位】：北京交通大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074
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