歌者传奇—论严歌苓小说中的传奇叙事
发布时间：2018-11-24 14:46
【摘要】：严歌苓是目前北美华文文坛最具实力与影响力的作家之一,从1997年开始步入国内学界的视野至今获得了持续升温的关注和高度的赞誉。早年的阅读经验与传奇的人生经历塑造了严歌苓“传奇”的创作理念与审美追求。“传奇”严歌苓以其“窥探人性之深,文字历练之成熟”在缤彩纷呈的中国当代文坛创造了一个“传奇的国界”。本文主要运用传记研究、文献研究、文化研究、叙事学研究等方法,以中国文学传统叙事模式之一——“传奇叙事”为切入点,力图对严歌苓的小说创作进行一个整体性的把握;从作家的叙事方式这一文学的根本层面探究严歌苓作为旅居他国的海外华文作家对中国文学传统的承袭与创造性转化;阐释严歌苓小说因中西方文学两种不同特质的相互交融所绽放出的独特魅力;并希望从作家的人生经历中得到些许启示从而进一步探究严歌苓传奇叙事的心理及文化根源。全文共分五个部分展开论述:导言部分在简要梳理“传奇”一词由专有名称到叙事模式的发展历程的前提下,将严歌苓纳入传奇叙事的视野当中,从作家的人生经历与创作理念两方面出发探寻严歌苓形成传奇叙事追求的原因。正文由三部分组成:第一章以创作题材为划分标准,论述严歌苓小说的三大传奇类型,即军旅传奇、海外传奇、历史传奇;第二章从神性“地母”系列人物、曲折离奇的故事情节与“翻手为苍凉,覆手为繁华”的文学语言三个维度总结严歌苓小说契合于大众阅读与消费倾向的传奇因素;第三章主要运用叙事学理论,通过传奇化的情节与写实的细节、叙事人称与视角、叙事时间与空间三方面论证严歌苓融传统与现代为一体的独特传奇笔法,以及由这笔法书写出的现代“新传奇”;结语部分对全文进行总结的同时分析严歌苓小说的传奇叙事在海外华文文学中所具有的独特性,并以辩证的眼光指出其中存在的几点不足。
[Abstract]:Yan Geling is one of the most powerful and influential writers in North American Chinese literature. Early reading experience and legendary life experience shape Yan Geling's creation idea and aesthetic pursuit of Legend. Yan Geling created a "legendary national boundary" in the contemporary Chinese literary world with his "exploring the depth of human nature and the maturity of writing experience" in the contemporary Chinese literary world. This paper mainly uses the methods of biographical research, literature research, cultural research, narratology research and so on, taking "legendary narration", one of the traditional narrative modes of Chinese literature, as the breakthrough point. Trying to make a holistic grasp of Yan Geling's novel creation; This paper explores Yan Geling's inheritance and creative transformation of Chinese literary tradition as an overseas Chinese writer living in other countries from the writer's narrative way, which is the fundamental aspect of literature. This paper explains the unique charm of Yan Geling's novels because of the blend of two different characteristics of Chinese and western literature, and hopes to get some enlightenment from the writer's life experience so as to further explore the psychological and cultural root of Yan Geling's legendary narration. The full text is divided into five parts: in the introduction part, under the premise of briefly combing the development of the word "legend" from the exclusive name to the narrative mode, Yan Geling is included in the vision of the legendary narrative. This paper explores the reasons for Yan Geling's legendary narrative pursuit from two aspects of the writer's life experience and creative idea. The text is composed of three parts: the first chapter discusses the three legendary types of Yan Geling's novels, that is, military legend, overseas legend and historical legend. The second chapter sums up the legendary factors of Yan Geling's novels fit in with the popular reading and consumption tendency from the three dimensions of the series characters of the Divine "Land Mother", the twists and turns of the story plot and the literary language of "turning the hands for desolation, and the overhand being the prosperity". The third chapter mainly uses the narratology theory, through the legendary plot and the realistic detail, the narration person and the angle of view, the narrative time and the space three aspects demonstrates Yan Geling to melt the tradition and the modern as one unique legendary writing method. And the modern "new legend" written by this method; The conclusion part summarizes the full text and analyzes the uniqueness of the legendary narration of Yan Geling's novels in overseas Chinese literature, and points out some shortcomings in it from a dialectical perspective.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I712.074
本文编号：2354119
[Abstract]:Yan Geling is one of the most powerful and influential writers in North American Chinese literature. Early reading experience and legendary life experience shape Yan Geling's creation idea and aesthetic pursuit of Legend. Yan Geling created a "legendary national boundary" in the contemporary Chinese literary world with his "exploring the depth of human nature and the maturity of writing experience" in the contemporary Chinese literary world. This paper mainly uses the methods of biographical research, literature research, cultural research, narratology research and so on, taking "legendary narration", one of the traditional narrative modes of Chinese literature, as the breakthrough point. Trying to make a holistic grasp of Yan Geling's novel creation; This paper explores Yan Geling's inheritance and creative transformation of Chinese literary tradition as an overseas Chinese writer living in other countries from the writer's narrative way, which is the fundamental aspect of literature. This paper explains the unique charm of Yan Geling's novels because of the blend of two different characteristics of Chinese and western literature, and hopes to get some enlightenment from the writer's life experience so as to further explore the psychological and cultural root of Yan Geling's legendary narration. The full text is divided into five parts: in the introduction part, under the premise of briefly combing the development of the word "legend" from the exclusive name to the narrative mode, Yan Geling is included in the vision of the legendary narrative. This paper explores the reasons for Yan Geling's legendary narrative pursuit from two aspects of the writer's life experience and creative idea. The text is composed of three parts: the first chapter discusses the three legendary types of Yan Geling's novels, that is, military legend, overseas legend and historical legend. The second chapter sums up the legendary factors of Yan Geling's novels fit in with the popular reading and consumption tendency from the three dimensions of the series characters of the Divine "Land Mother", the twists and turns of the story plot and the literary language of "turning the hands for desolation, and the overhand being the prosperity". The third chapter mainly uses the narratology theory, through the legendary plot and the realistic detail, the narration person and the angle of view, the narrative time and the space three aspects demonstrates Yan Geling to melt the tradition and the modern as one unique legendary writing method. And the modern "new legend" written by this method; The conclusion part summarizes the full text and analyzes the uniqueness of the legendary narration of Yan Geling's novels in overseas Chinese literature, and points out some shortcomings in it from a dialectical perspective.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I712.074
【参考文献】
相关期刊论文 前10条
1 石一枫;;传奇的“国界”[J];当代(长篇小说选刊);2009年02期
2 叶世祥;故事:从一个角度透视新时期小说的宏观走向[J];当代文坛;1995年01期
3 朱向前;中国军旅小说:1949—1994[J];当代作家评论;1996年04期
4 汪政,晓华;惯例及其对惯例的偏离——试论当前长篇小说文体的观念与实践[J];当代作家评论;2001年03期
5 葛亮;;属下要说话——“她者历史”的文学建构[J];当代作家评论;2011年04期
6 柳珊;阐释者的魅力──论严歌苓小说创作[J];当代作家评论;1999年01期
7 陈涵平;论《扶桑》的历史叙事[J];华文文学;2003年03期
8 李培;雌性的魅惑——试析严歌苓小说中女性形象的独特内涵[J];华文文学;2004年06期
9 严歌苓;李宗al;;严歌苓谈人生与写作[J];华文文学;2010年04期
10 刘思谦;;历史风云与个人命运——严歌苓本土题材小说《第九个寡妇》解读[J];汉语言文学研究;2010年02期
相关重要报纸文章 前3条
1 刘易;[N];文学报;2003年
2 张亚丽;[N];文艺报;2011年
3 本报记者 高艳鸽;[N];中国艺术报;2013年
，本文编号：2354119
本文链接：https://www.wllwen.com/yingmeiwenxuelunwen/2354119.html
