论《灵山》法文版在欧洲的接受

发布时间：2019-04-03 10:11

【摘要】：2000年底，法籍华裔作家高行健凭借长篇小说《灵山》获得诺贝尔文学奖这一桂冠。对于中国文学界，诺贝尔文学奖不仅是一种难以抗拒的诱惑，同时也是莫大的挑战，是永不过时的话题。然而，当这位华语读者圈陌生的作家带着其《灵山》通过如此殊荣走向世界，，才使国人重新把焦点聚焦。但目前对《灵山》的研究主要集中于单独对中文版本和法文版本进行分析研究。而本文的目的在于运用德国文学批评家姚斯的接受美学理论，通过对中法两个版本进行文本分析，从文化接受及文学角度解答为什么法文版《灵山》在法国取得成功，为什么能荣膺世界文学界至高无上的殊荣。“《灵山》是一部无以伦比、罕见的文学杰作。”论文序言部分着力于分析高行健形象以及《灵山》之创作背景，并在其后简述译者No l Dutrait与法文版《灵山》之间的翻译渊源。因为对于东方文学，一流的创作还得有一流的翻译。第一部分主要阐述接受美学相关理论，概括论述其对文学翻译的影响。第二部分对《灵山》创作背景，作者高行健，译者No l Dutrait进行了详细介绍为第三部分做铺垫。第三部分则结合第一部分理论详细分析法文版《灵山》在法国获得成功的原因及其获奖的缘由。本文的创新之处在于从翻译与文学两个角度对研究文本进行分析，试图描绘《灵山》的“无以伦比”之处，以及译者如何使中文文本中本土元素（如西南不为人知的民俗）得到西方读者的认同，这也是论文的重点探讨内容。论文最后得出结论，是法文版《灵山》既“吻合”又“超越”西方读者的文学审美，并顺利得到瑞典文学院的青睐。由此我们得知，中国文化与文学要很好的“走出去”既需要其本身是典型中国特色内容与西方写作手法的结合体，也更需要恰到好处的翻译。
[Abstract]:At the end of 2000, Gao Xingjian, a French Chinese writer, won the Nobel Prize for Literature for his novel Lingshan. For Chinese literary circles, the Nobel Prize is not only an irresistible temptation, but also a great challenge. However, when the Chinese-speaking reader circle unfamiliar writer with his "Lingshan" to the world through such a privilege, to make the focus of the country re-focus. But at present, the research on Lingshan is mainly focused on the analysis of Chinese version and French version. The purpose of this paper is to use the reception aesthetics theory of the German literary critic Joss, through the text analysis of the two editions of China and France, to explain why the French version of Lingshan has been successful in France from the angle of cultural acceptance and literature. "Lingshan is an unparalleled, rare literary masterpiece." The preface of the thesis focuses on analyzing the image of Gao Xingjian and the background of Lingshan, and then briefly describes the source of translation between the translator No l Dutrait and the French version of Lingshan. For oriental literature, first-class creation must also have a first-class translation. The first part mainly discusses the theory of reception aesthetics and its influence on literary translation. The second part makes a detailed introduction to the background of Lingshan, author Gao Xingjian and translator No l Dutrait, which lays the groundwork for the third part. The third part analyzes the reason why the French version Lingshan is successful in France and the reason why it won the prize according to the theory of the first part. The innovation of this paper lies in the analysis of the research text from the perspectives of translation and literature, in an attempt to describe the "incomparable" part of Lingshan. And how the translator makes the native elements of Chinese text (such as the unknown folk custom in southwest China) get the recognition of the western readers, which is also the focus of the paper. Finally, the paper draws the conclusion that the French version of Lingshan is both "consistent" and "surpassing" the literary aesthetics of western readers, and has been favored by Swedish Academy of Arts. From this we know that Chinese culture and literature in order to "go out" well not only needs its own typical Chinese characteristics of the content and Western writing techniques of the combination, but also need a proper translation.
【学位授予单位】：中国海洋大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I565.074

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