论《喜福会》中的叙事技巧
发布时间：2019-04-23 20:46
【摘要】：《喜福会》是谭恩美创作于1989年的成名作。该书以移民家庭内部中国母亲与美国女儿两代之间关系的失落与复归为主要线索,通过母女轮流讲述故事的形式回忆梳理,重新审视和认识彼此。《喜福会》的成功奠定了谭恩美在华裔美国文学史上的重要地位,有利于华裔文学成为美国主流文学的重要组成部分。此外,谭恩美也探讨了20世纪华人在国外的生存状况,尤其是海外华人女性在异国对自身命运的把握。本文通过分析该作品独具匠心的叙事手法,突出该作品独特的叙事魅力以及这种叙事手法与全书主题的内在联系。本文主要以文学理论家里蒙-凯南、热拉尔·热奈特和苏姗·兰瑟的叙事理论为理论框架,分析《喜福会》的叙事技巧。本文主要由导论、正文和结论三部分组成。第一章为导论部分,介绍了谭恩美及《喜福会》的创作背景、研究现状和论文结构。正文分为四个部分,分别探讨了谭恩美在创作《喜福会》中所运用的叙事技巧,包括人物塑造、叙事时间、叙事声音和叙事话语。第二章探讨人物塑造。《喜福会》中主要有八位人物,谭恩美在塑造这些人物时巧妙的运用了里蒙凯南说的直接人物表现法和间接人物表现法,灵活应用人物对话和人物行为成功向读者展示华裔女性的种种特质。第三章分析了小说的叙事时间,包含了叙事顺序、叙事时长和叙事频率。通过热奈特和里蒙-凯南的叙事时间理论分析小说中的错时(中国式麻将结构)、非对等时间跨度和不同事件的出现频率,揭示它们的文学功用。谭恩美在叙事顺序中创造性地采用了中国式麻将结构。此外,她熟练地运用不同事件的叙事时长呈现来不断变化叙述步调。再者,谭恩美利用特定事件出现频率来体现人物间矛盾,凸显小说主题。第四章分析了小说的叙事声音,包括作者型声音、个人型声音和集体型声音。本章主要以苏姗·兰瑟的女性主义叙事学理论为基础。谭恩美巧妙运用多种声音,让笔下的华裔女性全方位展示真实的自己和生存处境。第五章主要分析了叙述话语层面,涉及主人公的直接引语和自由直接引语等。结论部分简要的概述了本文的研究成果。通过以上研究,我们可以得出这样的结论:谭恩美通过运用这些叙事技巧给我们展示了四对母女间的冲突与交流,探讨了20世纪华人在国外的生存状况,真实再现了当时中美两国的社会现实,尤其是海外华人女性在异国对自身命运的把握。《喜福会》的成功奠定了谭恩美在华裔美国文学史上的重要地位,有利于华裔文学成为美国主流文学的重要组成部分。上述技巧与小说主题的巧妙结合,使谭恩美巧妙地扩大了华裔文学在全球的影响,同时增强了《喜福会》的艺术魅力。
[Abstract]:Happiness Club is a famous work by Amy Tan in 1989. The book takes the loss and return of the relationship between Chinese mother and American daughter as the main clue in the immigrant family, and combs it through the memory of the mother and daughter who tell the story in turn. The success of Happiness Club established Tan Emi's important position in the history of Chinese-American literature and helped Chinese-American literature become an important part of mainstream American literature. In addition, Amy Tan also discusses the living conditions of Chinese abroad in the 20th century, especially the grasp of their destiny in foreign countries by overseas Chinese women. Through the analysis of the novel's unique narrative techniques, this paper highlights the unique narrative charm of the work and the inherent relationship between this narrative technique and the theme of the book. Based on the narrative theories of literary theorists Rimon Kennan, Gerard Genette and Susan Lanther, this paper analyzes the narrative techniques of "Happy Happiness Club" in the framework of the narrative theories of literature theorists Rimon Kenan, Gerard Genette and Susan Lanser. This paper mainly consists of three parts: introduction, text and conclusion. The first chapter is the introduction part, which introduces the writing background, research status and structure of Tan Enmei and Happy Happiness Club. The text is divided into four parts. It discusses the narrative techniques used by Amy Tan in her creation of the Joy Luck Club, including character shaping, narrative time, narrative voice and narrative discourse. The second chapter discusses the character shaping. There are eight characters in the Happy Blessing Club. Amy Tan skillfully uses the direct character expression and indirect character expression method of Rimon Kennan's theory in shaping these characters. Flexible use of character dialogue and character behavior to show readers the characteristics of Chinese-American women. The third chapter analyzes the narrative time of the novel, including narrative sequence, narrative length and narrative frequency. This paper analyzes the wrong time (Chinese mahjong structure), the non-equivalent time span and the frequency of different events in the novel through the narrative time theory of Genette and Rimon-Kenan, and reveals their literary functions. Amy Tan creatively adopted the Chinese mahjong structure in the narrative sequence. In addition, she skillfully uses the narrative length of different events to constantly change the narrative pace. Moreover, Amy Tan uses the frequency of specific events to reflect the contradictions between characters, highlighting the theme of the novel. Chapter four analyzes the narrative voice of the novel, including author voice, individual voice and collective voice. This chapter is based on Susan Lanther's feminist narratology theory. Amy Tan cleverly uses a variety of voices, so that the Chinese-American women show their true and survival situation in an all-round way. The fifth chapter mainly analyzes the narrative discourse level, involving the protagonist's direct speech and free direct speech and so on. The conclusion gives a brief overview of the research results of this paper. Through the above research, we can draw the following conclusion: by using these narrative techniques, Amy Tan showed us the conflict and communication among the four pairs of mothers and daughters, and discussed the living conditions of Chinese abroad in the 20th century. It truly reproduces the social reality of China and the United States at that time, especially the grasp of their destiny by overseas Chinese women in foreign countries. The success of the Joy Club laid an important position for Tan Enmei in the history of Chinese-American literature. It is beneficial for Chinese literature to become an important part of mainstream American literature. The combination of the above techniques and the theme of the novel makes Amy Tan cleverly expand the influence of Chinese literature in the world and enhance the artistic charm of Happiness Club.
【学位授予单位】：上海交通大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074
本文编号：2463785
[Abstract]:Happiness Club is a famous work by Amy Tan in 1989. The book takes the loss and return of the relationship between Chinese mother and American daughter as the main clue in the immigrant family, and combs it through the memory of the mother and daughter who tell the story in turn. The success of Happiness Club established Tan Emi's important position in the history of Chinese-American literature and helped Chinese-American literature become an important part of mainstream American literature. In addition, Amy Tan also discusses the living conditions of Chinese abroad in the 20th century, especially the grasp of their destiny in foreign countries by overseas Chinese women. Through the analysis of the novel's unique narrative techniques, this paper highlights the unique narrative charm of the work and the inherent relationship between this narrative technique and the theme of the book. Based on the narrative theories of literary theorists Rimon Kennan, Gerard Genette and Susan Lanther, this paper analyzes the narrative techniques of "Happy Happiness Club" in the framework of the narrative theories of literature theorists Rimon Kenan, Gerard Genette and Susan Lanser. This paper mainly consists of three parts: introduction, text and conclusion. The first chapter is the introduction part, which introduces the writing background, research status and structure of Tan Enmei and Happy Happiness Club. The text is divided into four parts. It discusses the narrative techniques used by Amy Tan in her creation of the Joy Luck Club, including character shaping, narrative time, narrative voice and narrative discourse. The second chapter discusses the character shaping. There are eight characters in the Happy Blessing Club. Amy Tan skillfully uses the direct character expression and indirect character expression method of Rimon Kennan's theory in shaping these characters. Flexible use of character dialogue and character behavior to show readers the characteristics of Chinese-American women. The third chapter analyzes the narrative time of the novel, including narrative sequence, narrative length and narrative frequency. This paper analyzes the wrong time (Chinese mahjong structure), the non-equivalent time span and the frequency of different events in the novel through the narrative time theory of Genette and Rimon-Kenan, and reveals their literary functions. Amy Tan creatively adopted the Chinese mahjong structure in the narrative sequence. In addition, she skillfully uses the narrative length of different events to constantly change the narrative pace. Moreover, Amy Tan uses the frequency of specific events to reflect the contradictions between characters, highlighting the theme of the novel. Chapter four analyzes the narrative voice of the novel, including author voice, individual voice and collective voice. This chapter is based on Susan Lanther's feminist narratology theory. Amy Tan cleverly uses a variety of voices, so that the Chinese-American women show their true and survival situation in an all-round way. The fifth chapter mainly analyzes the narrative discourse level, involving the protagonist's direct speech and free direct speech and so on. The conclusion gives a brief overview of the research results of this paper. Through the above research, we can draw the following conclusion: by using these narrative techniques, Amy Tan showed us the conflict and communication among the four pairs of mothers and daughters, and discussed the living conditions of Chinese abroad in the 20th century. It truly reproduces the social reality of China and the United States at that time, especially the grasp of their destiny by overseas Chinese women in foreign countries. The success of the Joy Club laid an important position for Tan Enmei in the history of Chinese-American literature. It is beneficial for Chinese literature to become an important part of mainstream American literature. The combination of the above techniques and the theme of the novel makes Amy Tan cleverly expand the influence of Chinese literature in the world and enhance the artistic charm of Happiness Club.
【学位授予单位】：上海交通大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074
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