论波德莱尔象征主义诗歌中的反省意识

发布时间：2019-04-24 10:37

【摘要】：象征主义是近百年来西方文学中一个具有深广影响的艺术流派,它结束了西方古典主义文学发展的历史,开启了现代文学发展的先河。“象征主义”作为一个诗歌流派,产生于十九世纪中叶的法国,而法国象征派的先驱波德莱尔大大推动了诗歌潮流的发展。他的诗作上承浪漫主义之余风,下开现代主义之先河,汇集了欧洲世纪末情绪中各种流派中的不同侧面,经过独立冷静的肯定、怀疑、否定、提炼的反省过程,终形成独特的风格。他开拓了诗歌的审美范围,并且提出了有启发性的开创性诗歌理念,使象征主义成为现代文学各流派的营养之源,后被称为一代宗师。本文首先从十九世纪法国的文化背景和欧洲的文艺思潮介绍入手,对象征主义这一流派的产生、发展进行梳理,并对波德莱尔《恶之花》的创作意图进行初步阐述。其次从波德莱尔对于颓废派、唯美派以及浪漫派的接受、反省和反叛的过程出发,从波德莱尔对于西方文化的接受、继承和创新的角度,就波德莱尔诗作中体现出的反省意识进行了重点论述。其结论是：法国象征主义对于西方文化的态度并不仅仅处于反叛的阶段,象征主义在带给当时文艺界“新的颤栗”的艺术方式的同时,也深刻的带有西方文化传统的烙印。同时,波德莱尔并没有如“拿来主义”一般兼容并包的继承传统,而是在反省的基础上,继承了浪漫主义等流派之理念,吸收了唯美主义等流派之精华,从而使诗歌在新的时代焕发出了新的魅力,也开创出了属于他自己的诗歌领域。最后从反省意识的角度分析波德莱尔的美学观,通过对当时的社会历史、哲学美学背景的层面考察来分析波德莱尔反省意识形成的基础,探究其反省意识在美学观中显现的原因,进一步将波德莱尔放在了十字路口的坐标中,阐释了波德莱尔对于各种流派的接受,在他和同时代诗人的横向比较中,看出他文艺观的独特性
[Abstract]:Symbolism is an art school with profound influence in western literature in the past hundred years. It has ended the history of western classical literature and opened the beginning of the development of modern literature. Symbolism, as a school of poetry, came into being in France in the middle of the 19th century, and Baudelaire, the pioneer of French symbolism, greatly promoted the development of poetry. His poems are composed of romanticism and modernism, bringing together different aspects of various schools of emotion in Europe at the end of the century, and reflecting on the independent and calm process of affirmation, suspicion, negation and refinement. Finally form a unique style. He opened up the aesthetic scope of poetry, and put forward the enlightening concept of pioneering poetry, which made symbolism the source of nutrition for various schools of modern literature, and was later called a master of a generation. Starting with the cultural background of France in the 19th century and the introduction of literary and artistic thoughts in Europe, this paper combs the emergence and development of symbolism, and expounds the creative intention of Baudelaire's Flower of Evil. Secondly, from the process of Baudelaire's acceptance, reflection and rebellion of decadence, aestheticism and romanticism, and from the angle of Baudelaire's acceptance, inheritance and innovation of western culture, This paper focuses on the reflection consciousness reflected in Baudelaire's poems. The conclusion is that the attitude of French symbolism towards western culture is not only at the stage of rebellion, but also carries the brand of western cultural tradition as well as the artistic style of "new trembling" in literary and art circles at that time. At the same time, Baudelaire did not inherit the tradition of inclusive like borrowlism, but on the basis of introspection, he inherited the ideas of romanticism and other schools and absorbed the essence of aestheticism and other schools. So that poetry in the new era glows out a new charm, but also created his own poetry field. Finally, this paper analyzes Baudelaire's aesthetic view from the perspective of introspection consciousness, and analyzes the foundation of Baudelaire's introspection consciousness by examining the social history and philosophical aesthetic background at that time. This paper explores the reasons why his consciousness of introspection appears in the aesthetic view, further puts Baudelaire in the coordinates of the crossroads, explains Baudelaire's acceptance of various schools, in his horizontal comparison with contemporary poets, See the uniqueness of his view of literature and art
【学位授予单位】：西安外国语大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I565.072

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