《恶之花》“丑”的意象的审美性
发布时间：2019-06-12 03:40
【摘要】：波德莱尔是19世纪法国著名的现代派诗人，他的诗集《恶之花》一经出版便轰动整个法国文坛，被看作是象征主义文学的先驱。波德莱尔同时也是一位伟大的美学评论家。他把美学理论运用到诗歌创作中，对现代诗歌及美学思想都做出了巨大的贡献。《恶之花》中最深刻的、最有影响力的便是“丑”的意象。“丑”的意象经过艺术地加工便具有了审美性，诗人发掘出恶中之美。波德莱尔这位孤独而卓尔不群的浪荡子为诗的世界、美学的世界开启了一道“丑”之门，意义深远。 本文着重分析《恶之花》中“丑”的意象。第一部分通过自古以来美学上对丑的各种认识，探讨丑何以具有审美性，以便为分析《恶之花》中“丑”的意象提供更多理论参考；第二部分就波德莱尔诗歌理论本身进行研究，包括他诗歌的创作手法，分析波德莱尔何以对“丑”具有特殊的审美的激情；第三部分是对《恶之花》中“丑”的意象进行分类，并结合前面内容进行深入的分析，研究其如何具有审美性。 本文通过对《恶之花》中“丑”的意象的梳理，使波德莱尔的形象及美学思想较为清晰地呈现出来，同时重点研究波德莱尔如何让“丑”的意象具有审美性。
[Abstract]:Baudelaire is a famous French modernist poet in the 19th century. As soon as his collection of Poems, Flower of Evil, was published, it made a splash in the whole French literary world and was regarded as the forerunner of symbolism literature. Baudelaire is also a great aesthetic critic. He applied aesthetic theory to poetry creation and made great contributions to modern poetry and aesthetic thought. The most profound and influential image in the Flower of Evil is the image of ugliness. The image of ugliness is aesthetically processed, and the poet excavates the beauty of evil. Baudelaire, a lonely and outstanding prodigal son, opened a door of ugliness for the world of poetry and aesthetics, which was of far-reaching significance. This paper focuses on the analysis of the image of ugliness in the Flower of Evil. The first part discusses why ugliness is aesthetic through various aesthetic understandings since ancient times, in order to provide more theoretical reference for the analysis of the image of ugliness in the Flower of Evil, the second part studies Baudelaire's poetry theory itself, including the creative techniques of his poetry, and analyzes why Baudelaire has a special aesthetic passion for ugliness. The third part is to classify the image of ugliness in the Flower of Evil, and to make an in-depth analysis of the previous content, and to study how it is aesthetic. By combing the image of ugliness in the Flower of Evil, this paper makes Baudelaire's image and aesthetic thought appear more clearly, and focuses on how Baudelaire makes the image of ugliness aesthetic.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I565.072
本文编号：2497702
[Abstract]:Baudelaire is a famous French modernist poet in the 19th century. As soon as his collection of Poems, Flower of Evil, was published, it made a splash in the whole French literary world and was regarded as the forerunner of symbolism literature. Baudelaire is also a great aesthetic critic. He applied aesthetic theory to poetry creation and made great contributions to modern poetry and aesthetic thought. The most profound and influential image in the Flower of Evil is the image of ugliness. The image of ugliness is aesthetically processed, and the poet excavates the beauty of evil. Baudelaire, a lonely and outstanding prodigal son, opened a door of ugliness for the world of poetry and aesthetics, which was of far-reaching significance. This paper focuses on the analysis of the image of ugliness in the Flower of Evil. The first part discusses why ugliness is aesthetic through various aesthetic understandings since ancient times, in order to provide more theoretical reference for the analysis of the image of ugliness in the Flower of Evil, the second part studies Baudelaire's poetry theory itself, including the creative techniques of his poetry, and analyzes why Baudelaire has a special aesthetic passion for ugliness. The third part is to classify the image of ugliness in the Flower of Evil, and to make an in-depth analysis of the previous content, and to study how it is aesthetic. By combing the image of ugliness in the Flower of Evil, this paper makes Baudelaire's image and aesthetic thought appear more clearly, and focuses on how Baudelaire makes the image of ugliness aesthetic.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I565.072
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