杜甫对韩国三唐诗人影响研究

发布时间：2019-06-17 17:47

【摘要】：十六世纪朝鲜结束了宋诗风主导诗坛的时代，，开始流行唐诗风。这一时代出现了三唐诗人—李达、崔庆昌、白光勋。他们以写作风格与唐代时期相同。他们把杜甫、李白的诗，作为典范来学习。因此，他们的诗具有浓厚的唐风倾向。第一章研究杜甫和三唐诗人的人生。虽然他们坚持儒家思想，但怀才不遇，一生痛苦。在这一章，根据他们相似的人生经历，论证杜诗对三唐诗人的影响。第二章研究杜甫和三唐诗人的交怞诗。杜甫一一生求官，但因为李林甫势力的阻挠，没能实现他的儒家理想。另外，由于安史之乱一生都无法归乡。因此，他的很多诗都表达了思友之情和与李白、郑虔等亲密好友间的离别之痛。三唐诗人通过组织浮碧楼诗社和广寒楼诗社消除没能出人头地的愤恨，并把这种情感升华为汉诗来表达。所以他们的诗都具有怀才不遇而感到的悲伤。第三章比较杜甫和三唐诗人的题画诗和咏物诗。杜甫主要用的是马、鹰等男性化的题材。如果说通过事物表达诗人情感是唐诗的特征，比较题材来论证比较文学的影响关系，这是较好的研究方法。杜甫在《房兵曹胡马》和《高都护聪马行》中，把自己的希望和梦想寄托在马中，表达了忠臣的情绪。李达在《柳d`戎紫骝马歌》中虽然把紫骝马描写为骏马，但没没能把自己的想法表达出来，只是停留在表面上的描写。杜甫重视写意，而这对三唐诗人产生了很多影响。第四章研究杜甫和三唐诗人的社会诗。杜甫把‘至君尧舜上,再使风俗淳’作为自己的政治理想。但李林甫势力的阻碍导致杜甫一生官小职微。他过着流浪生活，为实现自己的理想而努力，但屡次失败，一辈子忧国忧民。三唐诗人由于身份地位的限制，也没能实现人生理想。但他们关爱平民百姓的生活，敦促为政者给老百姓施仁政。第五章研究杜甫和三唐诗人的乐府诗。杜甫的乐府诗描写了典型的百姓生活景象。一首诗中很好地展现了百姓的痛苦和悲欢。李达的七言绝句乐府诗中也有此倾向。另外，杜诗‘一头两脚体’的结构、袭用民间古诗、对话体的运用、顶针格诗体的使用等等对三唐诗人创造韩国乐府诗起到了不可缺少的作用。第六章研究了杜甫和三唐诗人的山水自然诗。对孟浩然和王维来说大自然就是逃难处，但杜甫不是。杜甫通过边塞的自然风景表达了自己的烦恼。三唐诗人也通过自然风景，把时代到给他们的伤痛和悲哀表达了出来。
[Abstract]:In the 16 th century, North Korea ended the era when Song poetry dominated the poetry world, and began to popularize Tang poetry. This era appeared three Tang poets-Li Da, Cui Qingchang, Bai Guangxun. They write in the same style as in the Tang Dynasty. They studied du Fu and Li Bai's poems as models. Therefore, their poems have a strong tendency of Tang style. The first chapter studies the life of du Fu and the poets of the three Tang dynasties. Although they persist in Confucianism, they never meet with talent and suffer all their lives. In this chapter, according to their similar life experience, this paper demonstrates the influence of du Shi on the poets of the three Tang dynasties. The second chapter studies the poems of du Fu and the poets of the three Tang dynasties. Du Fu sought official all his life, but because of the obstruction of Li Linfu's power, he failed to realize his Confucian ideal. In addition, because of the chaos of Anshi life can not return home. Therefore, many of his poems express the feeling of thinking about friends and the pain of parting with close friends such as Li Bai and Zheng Geng. The poets of the three Tang dynasties eliminated the indignation that failed to get ahead by organizing the Fubilu Poetry Society and the Guanghan House Poetry Society, and sublimated this emotion into Chinese poetry to express it. So their poems all have the sadness of not meeting each other with talent. The third chapter compares the painting poems and chanting poems between du Fu and the poets of the three Tang dynasties. Du Fu mainly uses masculine themes such as horses and eagles. If it is the characteristic of Tang poetry to express the poet's emotion through things, it is a good research method to demonstrate the influence relationship of comparative literature by comparing the subject matter. Du Fu pinned his hopes and dreams on his horses in Cao Huma, a room soldier, and Gaodu's Cong Protection Horse, and expressed the feelings of loyalty. Li Da described the purple monkey horse as a horse in Liu d`Rong purple monkey song, but failed to express his own ideas, but only stayed on the surface of the description. Du Fu attached importance to freehand brushwork, which had a lot of influence on the poets of the three Tang dynasties. The fourth chapter studies the social poems of du Fu and the poets of the three Tang dynasties. Du Fu regards'to Jun Yao and Shun, and then make custom Chun'as his political ideal. However, the hindrance of Li Linfu's power led to the decline of du Fu's official duties in his life. He lived a wandering life and worked hard to realize his ideals, but failed many times and worried about the country and the people all his life. Because of the limitation of status, the poets of the three Tang dynasties failed to realize the ideal of life. But they care for the lives of ordinary people and urge those who serve the government to give benevolence to the people. The fifth chapter studies the Yuefu poems of du Fu and the poets of the three Tang dynasties. Du Fu's Yuefu poems describe a typical scene of people's life. A poem is a good display of the pain and joys and sorrows of the people. Li Da also has this tendency in his seven-character Yuefu poetry. In addition, the structure of du Shi's' one end bipedal style 'played an indispensable role in the creation of Korean Yuefu poetry by the poets of the three Tang dynasties, such as the use of folk ancient poetry, the use of the style of speech, the use of the style of thimble poetry and so on. The sixth chapter studies the landscape natural poems of du Fu and the poets of the three Tang dynasties. For Meng Haoran and Wang Wei, nature is a place to escape, but du Fu is not. Du Fu expressed his troubles through the natural scenery of the frontier fortress. Through the natural scenery, the poets of the three Tang dynasties also expressed the pain and sorrow that the times had given them.
【学位授予单位】：东北师范大学
【学位级别】：博士
【学位授予年份】：2013
【分类号】：I106.2-03

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