狄金森1862年死亡诗歌的燕卜逊含混理论解读

发布时间：2019-06-18 16:45

【摘要】：艾米莉·狄金森(1830-1886)被誉为美国现代诗歌的创始人之一。含混是其诗歌的显著特征,含混这一独特艺术手法的运用,大大丰富了诗歌内涵。本文作者试图运用威廉·燕卜逊的含混理论,并结合狄金森的诗学主张,从词汇层、句法层、修辞手法层三个层面探讨了狄金森1862死亡诗歌中的含混。本文共包括四章。第1章着重介绍了狄金森自身的诗学理论中,与含混相关的理论。含混是狄金森诗歌创作的追求。狄金森将含混喻为圆周“周延”,这一诗学主张与燕卜逊的含混理论相契合。第2章运用含混理论,从词汇层面分析了死亡诗歌中的含混。艾米莉在诗歌中有意识地制造含混；对狄金森而言,语言是密码和面具,而词是最基本的。狄金森通过语义含混隐藏自己的感情和思想,从而给读者留下了想象的空间,使读者对诗义有多种解读。第3章从句法层面探讨了狄金森死亡诗歌中的含混。狄金森诗歌中经常使用省略,为读者提供无尽的联想和想象空间；同时,一语双用的使用,造成句法上的朦胧,使多种解读成为可能。第4章从修辞的角度探讨狄金森诗歌中的含混。狄金森在其死亡诗歌中,大量使用暗喻、双关和悖论,来增强其诗歌中的蕴意。狄金森出生在一个清教主义家庭,从小熟读《圣经》,深受宗教传统的熏染。然而,尽管相信上帝的存在,狄金森常常质疑上帝的恩慈和永生的存在,因而不断徘徊于信仰和怀疑之中。本文通过探讨狄金森1862年死亡诗歌中的含混特点,揭示狄金森对死亡质疑与信任相互交织的含混态度。
[Abstract]:Emily Dickinson (1830 / 1886) is known as one of the founders of modern American poetry. Ambiguity is the remarkable feature of his poetry, and the use of ambiguity, a unique artistic technique, greatly enriches the connotation of poetry. Based on William Yanbson's ambiguous theory and Dickinson's poetics, the author attempts to explore the ambiguity in Dickinson's 1862 death poetry from three aspects: lexical layer, syntactic layer and rhetorical device layer. This paper consists of four chapters. Chapter 1 focuses on Dickinson's own poetics theory, which is related to ambiguity. Ambiguity is the pursuit of Dickinson's poetry creation. Dickinson refers to inclusion as circumferential "circumferential extension", which is consistent with Yan Benson's ambiguous theory. Chapter 2 analyzes the ambiguity in death poetry from the lexical level by using the theory of ambiguity. Emily consciously creates ambiguity in poetry; for Dickinson, language is password and mask, and words are the most basic. Dickinson hides his feelings and thoughts through semantic ambiguity, which leaves readers with space for imagination and makes readers have a variety of interpretations of the meaning of poetry. Chapter 3 discusses the ambiguity in Dickinson's death poetry from the syntactic level. In Dickinson's poems, ellipsis is often used to provide readers with endless association and imagination space. At the same time, the use of one word in combination causes syntactic hazy and makes it possible to interpret a variety of things. Chapter 4 discusses the ambiguity in Dickinson's poetry from a rhetorical point of view. Dickinson used metaphors, puns and paradoxes in his death poems to enhance the meaning of his poems. Dickinson was born into a Puritan family, read the Bible well from an early age, and was deeply influenced by religious traditions. However, despite believing in the existence of God, Dickinson often questioned God's kindness and the existence of eternal life, and therefore lingered in faith and doubt. This paper discusses the vague characteristics of Dickinson's 1862 death poetry, and reveals Dickinson's vague attitude towards death questioning and trust.
【学位授予单位】：中南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.072

【共引文献】