从《梅丽迪安》解读艾利斯·沃克的黑人女性主义思想

发布时间：2021-01-10 19:14

　　艾丽斯·沃克是20世纪文坛最负盛名的美国黑人女性作家。通过其作品,沃克真实再现了黑人女性作为边缘化他者在种族主义和性别主义双重压迫下的麻木生活和悲惨命运,号召黑人女性应该从扭曲化的社会定型描述中勇敢地挣脱出来,寻找自己人格的完整性,建构属于自己的黑人女性话语。同时,她还特别关注黑人优秀传统及艺术形式,认为它们是定位黑人完整身份不可或缺的重要组成部分,需要得到格外重视、挖掘并继承。《梅丽迪安》正是这样一部作品,以二十世纪六十年代的民权运动为背景,讲述了参与该运动的这一代青年的成长。这部小说真实而深刻,凝聚着作者本人不少政治主张和抱负。本文除引言和结论部分外,共分成三章。引言概括性介绍了作家、作品情况及相关评论,指出了潜在不足之处。第一章从后殖民主义的刻版化印象理论角度入手,联系黑人女权主义者对这一理论的重视与理解,分析黑人女性长期受到的来自于白人世界的压迫,尤其是当这种刻版化定性思维被内化并通过母女关系世代相传,黑人女性思想被深深毒害,导致精神世界受到严重创伤。小说人物梅丽迪安的成长故事不仅表现了黑人女性所受的精神创伤,还体现出破除刻板化形象、建立黑人女性话语的必要性和迫切性。第二章通过... 

【文章来源】：北京语言大学北京市 教育部直属院校

【文章页数】：61 页

【学位级别】：硕士

【文章目录】：
Acknowledgements
摘要（Abstract in Chinese）
Abstract
INTRODUCTION
Chapter One CHALLENGING STEREOTYPES AND QUEST FOR SELFHOOD
    1.1 Stereotypes and Their Meaning
        1.1.1 Connotations of stereotypes
        1.1.2 Stereotypes and Black feminism
    1.2 Stereotypical Images of Black Women
        1.2.1 Stereotypes enforced upon Black women
        1.2.2 Stereotype internalized by Black women
        1.2.3 Presentations in Meridian
    1.3 Fighting against Stereotypes
        1.3.1 Questing for self-autonomy
        1.3.2 Practice of love
Chapter Two CONSTRUCTING A LANGUAGE OF THEIR OWN BASED ON AFRICAN AMERICAN MUSIC
    2.1 Music and African American History
    2.2 Music and Spiritual Quest
        2.2.1 Church and religious music
        2.2.2 The enlightening musician
    2.3 Music in Discursive Struggle
        2.3.1 The Other's silence
        2.3.2 Music as black women's own language
Chapter Three BUILDING THE UNITY ROOTED IN AFRICAN PHILOSOPHY
    3.1 African Philosophy V.S.Western Philosophy
    3.2 Coalition with the Black Male
        3.2.1 The black male's predicament
        3.2.2 Truman's complex
        3.2.3 Truman's return
    3.3 Coalition with the White Female
        3.3.1 Lynne's complex
        3.3.2 Interracial hostility among Black women
        3.3.3 Black Feminists' contention of sisterhood
CONCLUSION
WORKS CITED



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