感应系统理论美学视域下的艾略特诗歌
发布时间：2021-01-30 14:00
T.S.艾略特的诗歌《荒原》和《J·阿尔弗雷德·普鲁弗洛克的情歌》是关于文明沦陷的诗歌。这种沦陷并不是一种实体意义上的沦陷,并不是指高楼大厦的倒塌等具体的影像,而是一种精神层面的沦陷。一种精神上的无意义,无目的,无希望所带来的绝望感。艾略特在诗中象征主义手法及意象叠加、时空交错等现代诗歌表现手段的运用,使得诗歌高度的抽象哲理化,拓展了诗歌的思想内容。本论文试图从波德莱尔的感应系统理论的崭新视角对现代派诗人艾略特的作品《荒原》和《情歌》进行美感视角的诠释与挖掘。法国诗人波德莱尔是被认为比批评家圣勃夫“还要伟大的批评家”,他最主要的贡献就是提出一整套美学理论—感应论。波德莱尔不再用柏拉图的“灵感说”和“迷狂说”来解释诗歌的创作了,他在美学论文集《美学珍玩》中说:“现代诗歌同时兼有绘画、音乐、雕塑、装饰艺术、嘲世哲学和分析精神的特点;不管修饰得多么得体、多么巧妙,它总是明显地带有取之于各种不同的艺术的微妙之处。”波德莱尔还指出,诗歌的目的和本质就是“把善同美区别开来,发掘恶中之美,让节奏和韵脚符合人对单调、匀称、惊奇等永恒的需要;让风格适应主题,灵感的虚荣和危险等等。”这些观点可集中体现在他...
【文章来源】：东北师范大学吉林省 211工程院校 教育部直属院校
【文章页数】：51 页
【学位级别】：硕士
【文章目录】：
Abstract in English
Abstract in Chinese
Introduction
Chapter One Baudelaire’s Aesthetic Theory—Correspondence Theory
1.1 The Implication of Correspondence theory
1.2 The Reality Correspondence
1.3 The Artistic Correspondence
1.3.1 Purposes of Artistic Correspondence
1.3.2 Means of Artistic Correspondence
1.3.3 Activity Forms of Artistic Correspondence
1.4 Transcendental Correspondence
Chapter Two The Reflection of the Art Forms of Correspondence Theory in T.S. Eliot’s Works
2.1 Introduction of Analogy
2.2 Analogy of Correspondence Theory used in “The Love Song of J. Alfred Prufrock” （abbreviated as “Love Song”）
Chapter Three The Reflection of Natural Concepts of Correspondence Theory in T.S. Eliot’s works.
3.1 The Concept of Nature in T.S Eliot’s Modernistic Poetry and their aesthetic pursuit
3.1.1 The Concept of Nature in Modernistic literature
3.1.2 Correlation between Modernistic literature and Romanticism literature.
3.1.3 The Concept of Nature in T.S Eliot’s Modernistic Poetry
3.2 The Concept of Nature in Correspondence Theory and its aesthetic pursuits
3.2.1 Material Nature
3.2.2 Spiritual Nature
3.2.3 Super Nature
3.3 The Aesthetical Correlation between Natural Concepts of Correspondence Theory and T.S. Eliot’s Love Song
Chapter Four The Aesthetic Principle “Beauty in Evil” of Correspondence Theory and its Reflection in T.S. Eliot’s The Waste Land.
4.1 The Philosophical Value of the concept “Beauty”and “Ugly”, “Good”and “Evil”as both contrary and unified terms
4.2 The Aesthetic Value of “Beauty in Evil” and its Reflection in T.S. Eliot’s The Waste Land
4.2.1 The establishment of evil imagery.
4.2.2 Evil Imagery Analysis in Eliot’s The Waste Land
4.3 Grotesquery as an Aesthetic Category
4.3.1 The Characteristics of
4.3.2 The Aesthetic Value of
4.3.3 The Reflection of Grotesquery in The Waste
4.4 The Moral and Ethical Value of “Beauty in Evil” and its Reflection in T.S. Eliot’s The Waste Land
4.4.1 The Moral and Ethical Value of “Evil Beauty”
4.4.2 The Reflection of the Moral and Ethical Values of “Evil Beauty” in T.S. Eliot’s The Waste
Conclusion
Bibliography
Acknowledgements
【参考文献】：
期刊论文
[1]解读《荒原》与文学鉴赏的困惑——兼与曾艳兵同志商榷[J]. 刘崇中. 外国文学评论. 1993(04)
[2]T.S.艾略特在中国[J]. 杨金才. 山东外语教学. 1992(Z1)
[3]《荒原》与《凤凰涅槃》[J]. 辜正坤. 外国文学研究. 1988(04)
[4]现代生活的画家[J]. 波德莱尔,王小箭,顾时隆. 世界美术. 1986(01)
本文编号：3009024
【文章来源】：东北师范大学吉林省 211工程院校 教育部直属院校
【文章页数】：51 页
【学位级别】：硕士
【文章目录】：
Abstract in English
Abstract in Chinese
Introduction
Chapter One Baudelaire’s Aesthetic Theory—Correspondence Theory
1.1 The Implication of Correspondence theory
1.2 The Reality Correspondence
1.3 The Artistic Correspondence
1.3.1 Purposes of Artistic Correspondence
1.3.2 Means of Artistic Correspondence
1.3.3 Activity Forms of Artistic Correspondence
1.4 Transcendental Correspondence
Chapter Two The Reflection of the Art Forms of Correspondence Theory in T.S. Eliot’s Works
2.1 Introduction of Analogy
2.2 Analogy of Correspondence Theory used in “The Love Song of J. Alfred Prufrock” （abbreviated as “Love Song”）
Chapter Three The Reflection of Natural Concepts of Correspondence Theory in T.S. Eliot’s works.
3.1 The Concept of Nature in T.S Eliot’s Modernistic Poetry and their aesthetic pursuit
3.1.1 The Concept of Nature in Modernistic literature
3.1.2 Correlation between Modernistic literature and Romanticism literature.
3.1.3 The Concept of Nature in T.S Eliot’s Modernistic Poetry
3.2 The Concept of Nature in Correspondence Theory and its aesthetic pursuits
3.2.1 Material Nature
3.2.2 Spiritual Nature
3.2.3 Super Nature
3.3 The Aesthetical Correlation between Natural Concepts of Correspondence Theory and T.S. Eliot’s Love Song
Chapter Four The Aesthetic Principle “Beauty in Evil” of Correspondence Theory and its Reflection in T.S. Eliot’s The Waste Land.
4.1 The Philosophical Value of the concept “Beauty”and “Ugly”, “Good”and “Evil”as both contrary and unified terms
4.2 The Aesthetic Value of “Beauty in Evil” and its Reflection in T.S. Eliot’s The Waste Land
4.2.1 The establishment of evil imagery.
4.2.2 Evil Imagery Analysis in Eliot’s The Waste Land
4.3 Grotesquery as an Aesthetic Category
4.3.1 The Characteristics of
4.3.2 The Aesthetic Value of
4.3.3 The Reflection of Grotesquery in The Waste
4.4 The Moral and Ethical Value of “Beauty in Evil” and its Reflection in T.S. Eliot’s The Waste Land
4.4.1 The Moral and Ethical Value of “Evil Beauty”
4.4.2 The Reflection of the Moral and Ethical Values of “Evil Beauty” in T.S. Eliot’s The Waste
Conclusion
Bibliography
Acknowledgements
【参考文献】：
期刊论文
[1]解读《荒原》与文学鉴赏的困惑——兼与曾艳兵同志商榷[J]. 刘崇中. 外国文学评论. 1993(04)
[2]T.S.艾略特在中国[J]. 杨金才. 山东外语教学. 1992(Z1)
[3]《荒原》与《凤凰涅槃》[J]. 辜正坤. 外国文学研究. 1988(04)
[4]现代生活的画家[J]. 波德莱尔,王小箭,顾时隆. 世界美术. 1986(01)
本文编号：3009024
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