论舍伍德·安德森《小镇畸人》中的两性关系
发布时间：2021-03-03 17:59
舍伍德·安德森（1876-1941）,是美国二十世纪一位享有盛誉且影响深远的作家。威廉·福克纳将他奉为“我们这一代作家的父亲”,马尔科姆·考利也称他为“作家的作家”。安德森于1919年发表的《小镇畸人》奠定了他在现代美国文坛的先驱者地位。该书以介乎长篇小说和短篇故事集的独特形式,描绘了小镇生活的心理和气氛,揭示了各种人物的品性、欲望、企求以及在人生中摸索的历程。本文运用女性主义的观点和性别心理学的研究成果,通过文本细读的方法来分析《小镇畸人》中的两性关系,旨在揭示珍视女性特质对构建和谐两性关系的重要意义。两性关系的面貌是两性互相影响的结果。由于父权制社会对女性的忽视和否定,温士堡镇上的女性活在一个封闭的空间里,无法交流带来的压抑使她们变成了“畸人”；而男性,尽管是传统规范的宠儿,由于无法和女性间建立起真正的两性关系而显得扭曲。他们终日活在幻想的两性关系中,导致现实中的两性关系更为腐朽。然而,女性并非天生的弱者,相反,女性特有的敏感、细腻和温柔恰恰是创造力的源泉,同时对于两性关系的健康发展也起着关键性的作用。温士堡镇上多名女性在不同层面上对主人公乔治·威拉德的启发性影响,更形象地揭示了女...
【文章来源】：华东师范大学上海市 211工程院校 985工程院校 教育部直属院校
【文章页数】：57 页
【学位级别】：硕士
【文章目录】：
ACKNOWLEDGEMENTS
摘要
ABSTRACT
Introduction
Chapter One The Corrupt and Unproductive Male-female Relationship
1.1 Frustrated Women
1.1.1 Women as Girls
1.1.2 Women as Wives or Lovers
1.1.3 Women as Mothers
1.2 Grotesque Men
1.2.1 Rejection of The Feminine Qualities in men
1.2.2 Inability to Establish Relationship with Real Women
Chapter Two Reinvestigation of The Male-female Relationship
2.1 The Feminine Traits as Sources of Creativity and Spirituality
2.1.1 The Feminine Creativity Represented in Women
2.1.2 The Feminine Creativity Represented in Men
2.2 Women's Instructive Influence on The Leading Character George Willard
2.2.1 Enlightenment to The Future Artist
2.2.2 Enlightenment to The Essence of Art
2.2.3 Enlightenment to The Male-female Affection
2.2.4 George's Maturity
Chapter Three The Equal and Reciprocal Male-female Relationship
3.1 Men's Awareness of Women with Potential Power
3.1.1 Enoch Robinson and The Invisible Woman in His Painting
3.1.2 The Drunken Man and His Vision of Future Women
3.2 Women's New Stance
3.2.1 Belle: Controlling The Initiative in Love
3.2.2 Tandy: Declaring to Be The New Woman
3.3 The Genuine Intimacy between Men and Women
3.3.1 Dr. Reefy vs. Elizabeth Willard-The Fleeting Floweriness
3.3.2 George Willard vs. Helen White-The Prophetic Statement
Conclusion
BIBLIOGRAPHY
【参考文献】：
期刊论文
[1]安德森《手》的符号界解读[J]. 穆杨. 外国文学. 2007(02)
[2]《小城畸人》“性主题”的文化阐释[J]. 马征. 外国文学研究. 2004(04)
[3]女性:艺术家的摩西——评析《小城畸人》中女性人物与乔治·威拉德的关系[J]. 何征. 四川外语学院学报. 2002(04)
[4]对《小城畸人》的女性阅读[J]. 何征. 四川外语学院学报. 2001(03)
[5]《小城畸人》艺术论[J]. 王青松. 外国文学评论. 1999(03)
[6]舍伍德·安德森三题[J]. 董衡巽. 外国文学评论. 1993(02)
本文编号：3061686
【文章来源】：华东师范大学上海市 211工程院校 985工程院校 教育部直属院校
【文章页数】：57 页
【学位级别】：硕士
【文章目录】：
ACKNOWLEDGEMENTS
摘要
ABSTRACT
Introduction
Chapter One The Corrupt and Unproductive Male-female Relationship
1.1 Frustrated Women
1.1.1 Women as Girls
1.1.2 Women as Wives or Lovers
1.1.3 Women as Mothers
1.2 Grotesque Men
1.2.1 Rejection of The Feminine Qualities in men
1.2.2 Inability to Establish Relationship with Real Women
Chapter Two Reinvestigation of The Male-female Relationship
2.1 The Feminine Traits as Sources of Creativity and Spirituality
2.1.1 The Feminine Creativity Represented in Women
2.1.2 The Feminine Creativity Represented in Men
2.2 Women's Instructive Influence on The Leading Character George Willard
2.2.1 Enlightenment to The Future Artist
2.2.2 Enlightenment to The Essence of Art
2.2.3 Enlightenment to The Male-female Affection
2.2.4 George's Maturity
Chapter Three The Equal and Reciprocal Male-female Relationship
3.1 Men's Awareness of Women with Potential Power
3.1.1 Enoch Robinson and The Invisible Woman in His Painting
3.1.2 The Drunken Man and His Vision of Future Women
3.2 Women's New Stance
3.2.1 Belle: Controlling The Initiative in Love
3.2.2 Tandy: Declaring to Be The New Woman
3.3 The Genuine Intimacy between Men and Women
3.3.1 Dr. Reefy vs. Elizabeth Willard-The Fleeting Floweriness
3.3.2 George Willard vs. Helen White-The Prophetic Statement
Conclusion
BIBLIOGRAPHY
【参考文献】：
期刊论文
[1]安德森《手》的符号界解读[J]. 穆杨. 外国文学. 2007(02)
[2]《小城畸人》“性主题”的文化阐释[J]. 马征. 外国文学研究. 2004(04)
[3]女性:艺术家的摩西——评析《小城畸人》中女性人物与乔治·威拉德的关系[J]. 何征. 四川外语学院学报. 2002(04)
[4]对《小城畸人》的女性阅读[J]. 何征. 四川外语学院学报. 2001(03)
[5]《小城畸人》艺术论[J]. 王青松. 外国文学评论. 1999(03)
[6]舍伍德·安德森三题[J]. 董衡巽. 外国文学评论. 1993(02)
本文编号：3061686
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