语域理论视角下分析贝克特戏剧

发布时间：2021-04-10 01:57

　　萨缪尔·贝克特是后现代主义最有影响力的剧作家。《等待戈多》出版后,他成了荒诞派戏剧的代言人。本文选取了他的三部代表戏剧《等待戈多》、《克拉普的最后一盘录音带》、《快乐的日子》作为研究材料,应用语域理论进行了详细的语场、语旨、语式分析。语域理论是韩礼德功能语法的一个重要组成部分,为语篇分析提供了一个可操作性的理论分析框架。语场分析了三部剧的场景、主题和反应主题的语言特点。贝克特在剧中给我们展示的场景都是荒芜的、光秃的、贫瘠的,真实地影射出战后西方世界的状况。其戏剧主题表达的都是虚无、不确定、绝望、无意义、孤独异化、无能为力等。剧中使用的语言与所表现的主题高度一致。语旨分析了三部剧中的人物的角色关系和他们面对现实的态度。语气分析表明后现代的人们都处于荒原中,他们不再扮演任何角色。人物的关系是疏远的、冷漠的。情态分析揭示了剧中人物对他们的生活和现实都抱着否定、消极、不确定的态度。语式分析了三部剧中的独白、对白、沉默及其他写作技巧,表明语言已经失去它原有的交际功能。冗长的独白毫无意义、断断续续。所有的对白都毫无关联、毫无逻辑。相反,沉默比语言更有力量。贝克特也采用了特殊的叙述技巧,如循环结构,... 

【文章来源】：长春理工大学吉林省

【文章页数】：72 页

【学位级别】：硕士

【文章目录】：
Abstract
摘要
Chapter One Introduction
Chapter Two Literature Review
    2.1 Theatre of the Absurd
    2.2 Introduction to Samuel Beckett
    2.3 Representative Plays
        2.3.1 Waiting for Godot
        2.3.2 Krapp's Last Tape
        2.3.3 Happy Days
    2.4 Characteristics of His Works
    2.5 Research on Beckett's Plays
        2.5.1 Overseas Study of Beckett's Plays
        2.5.2 The Study of Beckett's Plays in China
Chapter Three Theoretical Framework
    3.1 Register Theory
        3.1.1 Concept of Register
        3.1.2 Three Variables
            3.1.2.1 Field
            3.1.2.2 Tenor
            3.1.2.3 Mode
        3.1.3 Relationship Between Three Variables and Metafunctions of Language
        3.1.4 Application of Register Theory
    3.2 Deconstructionism
Chapter Four Field Analysis of Beckett's Plays
    4.1 Common Field of Beckett's Plays
    4.2 Fields in Beckett's Plays
        4.2.1 Setting---Situation of Communication
        4.2.2 Theme---the Subject Matter of Communication
        4.2.3 Language Features
Chapter Five Tenor Analysis of Beckett's Plays
    5.1 Characters' Roles and Relationship
        5.1.1 Waiting for Godot:False Partners
        5.1.2 Krapp's Last Tape:One-man Show
        5.1.3 Happy Days:A Distant Couple
    5.2 Attitude Analysis
        5.2.1 Waiting for Godot:Uncertainty and Negation
        5.2.2 Krapp's Last Tape:Self-denial
        5.2.3 Happy Days:Ridicule and Irony
Chapter Six Mode Analysis of Beckett's Plays
    6.1 Monologue
    6.2 Dialogue
    6.3 Silence
    6.4 Poetic Language
    6.5 Solo Singing
    6.6 Narrative Techniques
        6.6.1 Circular Structure with an Anti-plot
        6.6.2 Juxtaposition of Multilayer Narrative Space in Krapp's Last Tape
        6.6.3 Montage in Krapp's Last Tape
Chapter Seven Conclusion
Bibliography
Acknowledgements



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