从感性到理性的反转——康德崇高概念辨析

发布时间：2018-03-08 11:53

本文选题：康德　切入点：崇高　出处：《世界哲学》2017年02期 　论文类型：期刊论文

【摘要】：在康德的美学中,崇高是与鉴赏相并立的重要概念,但由于审美分析中的独特性和涵义结构的复杂性使其难以得到明确的界定。本文试图通过对美、崇高和道德感三者的对照厘清崇高概念的逻辑层次和功能地位,揭示崇高概念从感性到理性、从直观对象到展示主体内在超感性基底的反转,数学与力学维度交错、激动与静观并存的特性。本文通过比照康德对鉴赏判断四个契机的说明剖析了崇高判断四个契机的内涵;从崇高概念特殊的构架入手,对数学的崇高和力学的崇高之区分进行了分析;进而探讨了崇高与道德感之间的关联和差异;展示了崇高概念中与断裂和反转并存的内在统一性,正是这种充满张力的结构使得崇高成为从自然到自由的过渡的一种可能。
[Abstract]:In Kant's aesthetics, sublime is an important concept of consistent and appreciation, but because of the complexity of structure and unique meaning in the esthetic analysis makes it difficult to be clearly defined. This paper tries to beauty, logic level and functional status and control of the three noble moral sense to clarify the concept of sublime, revealing the concept of sublime from perceptual to rational, from the visual object to display the internal main supersensory basement inversion, staggered mathematical and mechanical dimensions, characteristics of excitement and contemplation coexist. Through comparison of Kant determine the four opportunity for appreciation that analyzes the lofty judgment connotation of four opportunities; starting from the framework of the concept of sublime special, in mathematics the mechanics of the sublime and lofty distinction are analyzed; and then discusses the relationship and differences between the noble and moral sense; showing the concept of sublime and faults and inverted coexist in unity Sex, it is this tension - filled structure that makes the sublime a possibility for the transition from nature to freedom.

【作者单位】：北京师范大学哲学学院;
【基金】：2016年北京社科基金青年项目“《判断力批判》与费希特哲学”(项目编号:16ZXC012)的阶段性成果
【分类号】：B516.31

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